Beethoven: Sonata 7
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ID:19
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 Beethoven Sonata op 10 no 3
January 18, 2010, 05:28:30 AM by arvhaax93
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I am having some serious speed issues specifically in the first movement. I practice it around 144 per quarter note and i play it clean and usually note perfect (in sections), but the problem is is that when i bump up the speed around two knotches to around 160 then it completely falls apart. The way I speed this up is I play it several times a day in sections, and i bump up the metronome speed every 2 weeks or so because I don't want to butcher this piece at all. I've had this piece since September of last year and I feel I'm taking an unnecessary amount of time to get this sped up (and it's only half speed) and getting it learned was not a problem. I don't see how in the world I'm going to be playing it twice as fast as I am right now (the speed it should be at), I just feel physically or mentally unable. How should I go about tackling this situation?
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Advice on how to practise this piece.
November 17, 2009, 08:47:04 PM by marikah
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Hello, I recently began playing Beethoven's 7 sonata nr 3 in D major. I have always had a problem learning more traditional classical music, im more into modern compositions.
So, how do I practise this? I need to learn it in a short period of time. I would be so grateful for some help! 
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Beethoven Sonata op 10 no 3
September 18, 2009, 03:26:23 AM by arvhaax93
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I'm having trouble with the first and second movements. For the first movements I'm playing the piece around 72 bpm per quarter note and I understand that it's the speed that makes this song difficult. How should I go about speeding this song up? For the second movement I'm having troubles with tempo, I cannot keep a stable tempo. For the beginning part where there are 8th notes I keep a slow tempo, but once i get to the 16th notes starting with the D, I speed the tempo up a little bit because I think it fits the mood better. I'm also playing this movement for judges next month and I'm not sure if judges will take off for tempo. Also, the section of the movement where there are consecutive 32nd notes, I increase the tempo quite a bit to match the mood (as well) These tempo changes within the song, I think, fit it perfectly, but my teacher says that I should keep one tempo throughout. Is it normal to change tempos for a song in different sections that match the mood or should I keep one relative tempo throughout the whole movement? If you think it should be one tempo throughout the whole thing, what would be an ideal tempo?
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 Beethoven: Sonata in D major, Op. 10 No. 3 - LIVE!
June 18, 2008, 02:32:10 PM by le_poete_mourant
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Hi everyone -- this is also from my high school senior recital. Beethoven's Sonata in D major, Op. 10 No. 3
I. Presto
II. Largo e mesto
IV. Rondo: Allegro
I have left out the third movement (Menuetto: Allegro) because of a memory issue I had. Also, this was the first piece I played so I was a little nervous and thus there are a few clunkers in the Presto.
Recorded live at Kilbourn Hall, Rochester NY, June 1 2008.
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Schiff wrong on Beethoven op.10/3?
May 08, 2007, 11:05:50 AM by mostlyclassical
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Hi everyone,
just heard the Schiff lecture on the D major sonata no. 7 (op.10 no 3) http://music.guardian.co.uk/classical/page/0,,1943867,00.html.
Listen to 2:20 and 5:50. He claims the 4 equal semi quaver approach taken by most pianists on bar 53 (I think) is nonsense. I like this pianist a lot and it surprised me to hear such an "inflexible" comment, to say the least.
Historical and notational reasons aside (and I believe at that era, Beethoven could quite normally write what he did, and mean 4 semiquavers) to my ears, Schiff's interpretation sounds bad and disruptive to the flow of the music.
What do you think?
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Sonata 7 opus 10 no 3 Ruthardt edition (sheet music) 
Let me know what you think. 