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	<title>Comments on: The Four Ballades by Chopin – New Urtext Edition</title>
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	<link>http://www.pianostreet.com/blog/site-news/the-four-ballades-by-chopin-%e2%80%93-new-urtext-edition-2192/</link>
	<description>- your guide to the classical piano world</description>
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		<title>By: deighve stjon</title>
		<link>http://www.pianostreet.com/blog/site-news/the-four-ballades-by-chopin-%e2%80%93-new-urtext-edition-2192/comment-page-1/#comment-10772</link>
		<dc:creator>deighve stjon</dc:creator>
		<pubDate>Fri, 10 Jun 2011 13:38:46 +0000</pubDate>
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		<description>In this recording, I think Kissin gave Chopin an extremely good rendition. His playing evokes Chopin. There is so much emotion transmitted despite the internet transfer.</description>
		<content:encoded><![CDATA[<p>In this recording, I think Kissin gave Chopin an extremely good rendition. His playing evokes Chopin. There is so much emotion transmitted despite the internet transfer.</p>
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		<title>By: Roberto Brambilla</title>
		<link>http://www.pianostreet.com/blog/site-news/the-four-ballades-by-chopin-%e2%80%93-new-urtext-edition-2192/comment-page-1/#comment-8671</link>
		<dc:creator>Roberto Brambilla</dc:creator>
		<pubDate>Tue, 03 Aug 2010 08:45:25 +0000</pubDate>
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		<description>May be that Rubinstein is the best in capturing the &#039;polish&#039; character of Chopin&#039;s many compositions, but in the case of Ballades is the visionary and &#039;cubist&#039; approach of Cortot that   had revealed the infinite potentialities of these pieces. The young pianists  looking for a renewed interpretation of these pieces are very interested in this old experiments, where more than rythm and touch, is a unitary global new idea of a piece to be pursued. The problem of fidelity to what Chopin wanted, is a misleading one.</description>
		<content:encoded><![CDATA[<p>May be that Rubinstein is the best in capturing the &#8216;polish&#8217; character of Chopin&#8217;s many compositions, but in the case of Ballades is the visionary and &#8216;cubist&#8217; approach of Cortot that   had revealed the infinite potentialities of these pieces. The young pianists  looking for a renewed interpretation of these pieces are very interested in this old experiments, where more than rythm and touch, is a unitary global new idea of a piece to be pursued. The problem of fidelity to what Chopin wanted, is a misleading one.</p>
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		<title>By: JohnnnyD</title>
		<link>http://www.pianostreet.com/blog/site-news/the-four-ballades-by-chopin-%e2%80%93-new-urtext-edition-2192/comment-page-1/#comment-8661</link>
		<dc:creator>JohnnnyD</dc:creator>
		<pubDate>Sat, 31 Jul 2010 13:46:37 +0000</pubDate>
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		<description>NO ONE plays Chopin like Artur Rubenstein.  Understand this:  he was the greatest at capturing the feeling, rhythm and sounds of Chopin.  I&#039;ve listened to many renditions of Ballade No. 1 and after hearing Rubenstein I&#039;ve realized that no one else understands how to play it.  Yes, others have fast fingers but it&#039;s about rhythm and a soft touch of the keys.</description>
		<content:encoded><![CDATA[<p>NO ONE plays Chopin like Artur Rubenstein.  Understand this:  he was the greatest at capturing the feeling, rhythm and sounds of Chopin.  I&#8217;ve listened to many renditions of Ballade No. 1 and after hearing Rubenstein I&#8217;ve realized that no one else understands how to play it.  Yes, others have fast fingers but it&#8217;s about rhythm and a soft touch of the keys.</p>
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