Liszt: Concert Etude - Un Sospiro no 3
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ID:771
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 Liszt - Un Sospiro
March 15, 2011, 04:40:43 AM by ninjapianist
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Hey all!
This is a live concert recording of Liszt's Un Sospiro, recorded a few months ago. I've heard a LOT of different opinions on the style/interpretation of this piece from various teachers, and was hoping for a few more.
Thanks!
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Franz Liszt - Un Sospiro - (Étude No. 39 in D-flat major) - Lorenzo (Enzo)
February 14, 2011, 03:04:43 PM by emill
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When Enzo started to "tinker" with this beautiful piece by Liszt early last month, I could barely conceal how glad I was because I have always loved the composition. This is still work in progress but i can see and feel that it is taking shape and I like what I hear. For one who is not schooled in the piano I am quite happy with Enzo's progress.
But now is the best time to hear comments and suggestions while he is still learning the piece.
We would be most grateful.
Recorded earlier at the University of the Philippines' Abelardo Hall using a Canon Vixia HF 100 HD cam.
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 Chopin's Etude Op.10 no.1 or Liszt's Un Sospiro?
January 19, 2011, 12:31:01 PM by paulturtle92
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I've been studying Chopin's "waterfall" etude for about half a year now, but still miss many notes (around 1 in 10!!) when playing them at the actual speed. As for Un Sospiro, I've been playing for a month, and can get through about half of the etude without mistakes. If I'm lucky, of course. 
So, basically what I would like to know is which one is better for an intermediate amateur? I'd like to pick just one for studying purposes, as I haven't got enough time for both. ><
Any suggestions would be helpful, thanks!
On an unrelated note, what do you guys think about Haydn's Piano Sonata, H. XVI?
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'Scholarly' articles on 'Un Sospiro'
November 01, 2010, 04:50:21 AM by nanabush
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Hey all,
Does anyone know of any articles that discuss Liszt's etudes in specific? I need to take some scholarly stuff and somehow write an essay about why I disagree with it. I narrowed my topic to something regarding 'showy' music and 'musical' music. I found in the books I've used so far that a lot of people only want to talk about the virtuosic elements in Liszt's music (and I can see from most forum posts about Liszt that most people are concerned with the technical difficulty in his pieces). I'm going to try squeezing out an essay about how people dismiss the musical elements in his music and possibly his initial intentions writing it, and that some scholars only really look at that one dimension of his stuff.
The essay is a load of BS, and most people in my class agree. First of all, the guidelines say we have to discuss a piece from 1800-1850 that we HAVE played, and that we have to disagree with the sources we are using. It's really tricky because usually the books/articles have info that I agree with 
If anyone knows of any online sources that I could use that would be great; even a book I could grab from amazon or something would be awesome. I've taken out 5 or 6 books and each only have little bits and pieces about 'Un Sospiro' (the piece I decided to use). I'm just looking for something more concrete that really goes more in depth than "Un Sospiro is a showman's piece that involves fast notes and crossing of hands".
Thanks a ton, because I'm out of ideas haha
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Three questions about Liszt's "Un sospiro"
October 28, 2010, 04:21:10 AM by presto agitato
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Hello
I know many pianists who play this piece, but they play it etiher too fast or very flat.
In my opinion, this is the most beautiful piece Liszt wrote and it is not easy to play at all.
All those jumps, arpeggios and chromatic scales make it very challenging. Besides, you need to have a very good cross hand technique.
What's your opinion about this piece?
What makes it so challenging?
How long did it take you to learn properly?
Thanks
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Un Sospiro
May 11, 2008, 08:22:05 AM by johnnyb76
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Hi, I'm currently learning this piece and am having some trouble with the alternating broken octaves in measures 13-20. I'm sorta... "getting there" but it's taking quite longer than I'd like. I've been playing through the rest of the piece and it's pretty straightforward, albeit a pleasant challenge.
However, the aforementioned section really makes me cringe 
I don't see how I could possibly practice this hands-separate since there's so much involved and intricate choreography between the hands. Could anyone who has finished the piece shed some light on how they managed this part? Thanks in advance 
John
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Concert Etude - Un Sospiro no 3 (sheet music) 