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Chopin: Prelude (Raindrop) opus 28 no 15

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ID:274
Frédéric Chopin - Preludes :
Prelude (Raindrop), opus 28 no 15
Prelude (Raindrop)  opus 28 no 15 D-flat Major by Frédéric Chopin piano sheet music
Key: D-flat Major Published: 1834
Level: 7 Period: Early Romantic
piano sheet music Prelude (Raindrop) opus 28 no 15 PS Urtext (sheet music)
piano sheet music Prelude (Raindrop) opus 28 no 15 autograph manuscript (sheet music)
piano music mp3 recording Prelude (Raindrop) opus 28 no 15 - FREE SAMPLE (mp3 file)




Posts in the piano forum about this piece by Chopin:

xx Chopin - Prelude #15 in Db Major (Raindrop)
December 23, 2008, 11:47:14 PM by tetmin

This is my first post here, would appreciate your opinion...

Recorded yesterday and it's not perfect, the bit where the ff left hand chord drowns out the raindrop note during in the middle section is not ideal, and there are one or two tiny flubs. Comments and suggestions would be hugely appreciated since I've not really had anyone with a discerning ear ever listen to my playing. Don't worry about being overly critical, I want to get this nailed down before I move polish something else.

Cheers

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xx Raindrop Comments please
May 29, 2008, 08:19:49 PM by highcrappile

I have made a recording of the Chopin "Raindrop", and I'd really appreciate your input.

I recorded it on my digital Yamaha, I think its a fine instrument. Im well aware that you frown upon digital instruments but for me its pretty much the only way to go, I live in an apartment. A cheap A/D (behringer) converter and audacity on my laptop.

Yes Im a noob, got the piano last new years =)


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xx I'm looking for scores of Chopin's Op. 28, No. 15
March 06, 2008, 04:43:27 AM by bacchuspaul

I'm preparing an essay that compares several different performances of this piece (The Raindrop Prelude).

One aspect that I wish to look at is how various editions have affected performance practises. There are a few issues in particular:

Having listened to a performance by Alfred Cortot, where, in th final page, before the return to D flat, he sounds as though he plays large broken chords in the left hand before playing the actual scored notes.

Valentina Igoshina adds in a passing note in bar 16, between the F and E flat in the right hand on beats 2 and 3. Also, when playing the grace notes in the middle section at bars 39 and 55, she plays the note in a higher octave, before diving to the lower octave. This performance can be found here (if you have the patience to sit through it, she plays at a VERY slow, self indulgent tempo): http://www.youtube.com/watch?v=6gV9gUeFHIw

I have chosen to compare these two performances because, whilst I am not fond of either, they both display very different approaches, and both are products of their respective times.

It is very possible that these examples are just individual performers trying to make a piece their own, but I was wondering if anybody knew of any scores that might allude to such practises as these. Unfortunately, the trend for Urtext scores means that I can only find scores that stick very faithfully to the originals. The oldest I've found is the one at www.sheetmusicarchive.net which I'm assuming is over 75 years old, therefore preceding the trend for Urtext scores. Unfortunately, it is fairly faithful to the original, so is not particularly useful for my purposes.

Any thanks in this matter would be hugely appreciated.

PS: Does anyone else think it's crazy that our trend towards authenticity is proving ruinous to my attempts to study authentic fallacies of the early part of the last century?

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xx Chopin - Prelude #15 in Db Major
February 27, 2008, 05:30:54 AM by feddera

Recorded this last week. With the exception of a couple of mistakes and some slight hesitation towards the end, I was pretty happy with this performance.

Any comments would be great!  Smiley

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xx Chopin prelude 28/15, Raindrop
May 01, 2007, 08:29:20 PM by philippa

http://www.youtube.com/watch?v=HoPnqjyWpSU

This recording was made in November, my exam was in March- so as you can imagine it's early stages, but it's all I have online atm. If you excuse the stilted introduction, your comments are appreciated Smiley

(Depressingly, I've lost that ring and that bracelet now Sad )

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xx Chopin Prelude No. 15
April 19, 2007, 01:46:45 AM by gfz87

Hi, this is me playing Chopin Prelude No. 15 at my house. I started playing about one year ago. The playing isn't perfect, it has mistakes on 00:44, 3:27 and in 4:04 I played the notes too forte instead of piano and crescendo (though I still do the crescendo). Besides those mistakes, this is pretty much how I interpretate it. I don't know, I guess I get nervous about the camera. Please comment what do you think of it. Greetings

Gian Franco Zabarino

http://www.youtube.com/watch?v=7ptjOsQOkJE

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xx Prelude Op. 28 no. 15 (Raindrop) - Chopin
March 02, 2007, 01:03:36 PM by ail

Hi,

I recorded this yesterday. It is still not perfect, but I never could play this without any slip, I guess. Still, it ended up quite near my idea for this piece. I've began paying much more attention to tempo in these last times, after some opinions I received here and before posting here, so it is still a bit unsteady, but I think better anyway than what I used to do.
Please, tell me everything you can think of to help me improve.

Alex

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xx prelude in D-flat major (raindrop)
February 15, 2007, 04:28:20 AM by pianistimo

this one is for henrah tonight.  the middle section is somewhat blech.  but, the beginning and ending part is for him.

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xx What does the Raindrop Prelude convey to you?
February 06, 2007, 10:44:14 PM by henrah

From my limited knowledge, to me it is a sad Chopin, sad that his wife and her child have gone for a walk and he misses them, and the raindrops are aggravating him as he composes. As he takes more notice of the raindrops, thunder starts to roll in the distance and it eventually overwhelmes the sound of the rain. Suddenly paranoia hits him: it's been a long time since his spouse and her child left for their walk and they haven't returned, and the storm outside ignites thoughts in his head that they might be in danger. Just as he realises he is deluding himself, they return, and now the rain means nothing to him: he takes no notice of it anymore. He finishes his composition happy that he can be with them again.

That is the story I envisage when I play this piece. I remember reading that he composed this piece when he was on the island (malaga maybe?) that he was sent to to help with his breathing difficulties (can't remember the illness he was diagnosed with), and the island had a lot of rainy weather, not sunny at all which is what he thought it would be like.


So back to the topic title and question: what does the raindrop prelude convey to you?
Henrah
Henrah

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xx raindrop prelude
October 26, 2006, 09:18:57 PM by maestoso

just have a little problem understanding the 3rd bar with the long quads. do you play the left hand fingering 1,1, with the thumb of the left hand? or one with the left and one with the right. do the writers of the music write like this to show you that you play notes in the treble and notes in the bass keeping with the left hand. sorry if this is an ambiguous question. these note structures  are a little confusing, common sense should tell me since they are in the bass clef but i just want to check. if i knew how to post the music i would show you what i mean but someone will know what i am asking thanks.

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