Mozart: Fantasy

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ID:61

Wolfgang Amadéus Mozart : Fantasy, K 475
Key: C Minor	Published: 1785
Level: 7	Period: Classical
Fantasy K 475 PS Urtext (sheet music)
Fantasy K 475 autograph manuscript (sheet music)
Fantasy K 475 facsimile of first edition (sheet music)
Fantasy K 475 (sheet music)

Posts in the piano forum about this piece by Mozart:

DUEL with imbetter: Mozart Fantasy c-minor KV 475
June 16, 2007, 08:22:25 AM by pianowolfi

This is my second duel. All in all I am more satisfied with this one than with the Rach prelude. I needed two takes, the last part from M. 130 (Piu allegro) has been recorded separately, I joined the two files. It's also not yet where I would want it to be but alas Tongue

Have fun!

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Mozart. Fantasia in C Minor
December 01, 2006, 08:58:57 AM by vladimirdounin

Recorded during my "concert consisting of your requests" at "Glenn Gould Studio" of CBC on October 20. 2006. I am the owner of this recording and do not contemplate any problem with the copy rights.

I am going to use this recording for educational purposes (see "school of playing beautifully" in my post "Fur Elise") to prove that music is just a language, and the "words" of music are the same in any song of any style.

Vladimir Dounin

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Mozart Fantasia K475
October 12, 2006, 01:16:51 PM by wishful thinker

Quick question: bar 26 and onwards is marked piano (p) with sforzando (sf) on the third beat. Question: is every note sforzando until the next piano (p) mark or only the note on which it is marked sf?

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Help with Mozart's Fanatasia in C Minor, K475: Piu Allegro
July 05, 2006, 02:08:00 AM by abstractentity

How do I get this section up to speed while not letting my hand get tired? I've been working at for a week and a half and I still can't get it anywhere near the right speed.

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Mozart c minor Fantasy Analysis
April 30, 2006, 06:52:22 PM by jam8086

I have a question about the harmonic analysis of Mozart's c minor Fantasy...

At measure 7, he is at "I" in D flat major, then in measure 8 he goes to vii^o7/vi, then in measure 9 he goes to ii6/4, then what does he do in measure 10? Is it just a sudden switch to B major? Or did I miss something? Then what about the next few measures? It seems like he's just switching to a new key every measure until about measure 16.

I think the problem might be that in measure 9, since there was a vii^o7/vi in measure 8, it is actually in the key of B flat, and it is iv6/4, and then measure 10 is a neapolitan.

I'm very confused, and if I have confused you with what I said above, basically what I need is help analyzing measures 7-16 of Mozart's c minor Fantasy.

One more thing...from measures 17-18, is that a common tone modulation from B minor to G major?

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Rhythm in K475, Mozart
February 16, 2006, 05:25:38 PM by sissco

Hi,

Can someone help me with this part? :

and

it is on page four.....i really don't feel the rhythm there Huh

Edit: Yeah triplet it is, in english.... Roll Eyes

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