Greetings
I am about to strart one of these pieces and am not sure about their difficulty in terms of technique compared to one other. If you are inclined to help please do. I look forward to responses. |
Hi.
I've got 2 recordings of this piece and i need to send one of them off for a summer school audition thing and im also hoping for some general feedback. one was done a while back when i had just finished learning the piece. i put it down for a while and i had to re-learn it quickly for this summer school audition. neither are really that good but if i could get a general idea of which one to send off, that would be great.
I did the first recording about two months (i think) before the other. I was felt much more connected with the music back then than i do now. Choosing the recording seems to be rather difficult for me because i feel the first one is more musical, but the second is at a faster tempo and possibly more secure with the notes? (although both are by no means of a decent technical standards).
Sorry to pose such a problem for you all. I hope that you can give some feedback on this.
Thanks for your time,
Gruff |
25/9-07
Taken from a concert with mostly chamber music with the following program:
Prokofiev - Five melodies Ravel - Ondine Faure - Elegie for cello and piano Poulenc - Violin sonata
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Brahms - Pianotrio op 8
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Hello everyone, Please tell me what you think. This was recorded in a live concert.
Ondine -> http://www.acidplanet.com/artist.asp?PID=570105&T=8956 Scarbo -> http://www.acidplanet.com/artist.asp?PID=569803&T=9103 |
| I'm currently playing Ondine from Ravel's Gaspard de la Nuit, and I've been looking for some very good recordings. I've heard Perlamuter and Gieseking who's interpretations are excellent, but a bit cold. Has anyone heard other interesting/unusual recordings of Ondine? |