Prokofiev: Piano Concerto 3
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Ravel Concerto in G major or Prokofiev Concerto No.3? March 14, 2011, 07:44:53 AM by wilmerguido
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I need to pick a concerto to learn for a competition. I also need a contemporary piece, and I wouldn't want to play a contemporary piece composed by the same person who composed my concerto. So... Can you suggest a good combination for the competition.
Concerti: Ravel in G major Prokofiev No.3
Contemporary Pieces suggested by my teacher Ravel Toccata Ravel Jeux d'eau Ravel Alborada del Grazioso Ravel Une barque sur l'ocean Prokofiev Sonata No.3 Bartok 2 Romanian Dances Op. 8a
If i will play the ravel concerto, I wouldn't want to play the other ravel pieces as my contemporary piece, but then if i will play the prokofiev concerto, I wouldn't want to play the prokofiev sonata anymore. But there's always bartok's romanian dances 
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Prokofiev Concerto No.3 Third Movement - Coda May 04, 2010, 05:27:18 AM by invictious
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Been listening to this again (I remember back then I used to listen to this movement over and over again), now this time with the score.
Of course, Prokofiev's immense genius can be condensed into the coda, i.e. after the slower middle section in the third movement of the third piano concerto. If I had to represent Prokofiev with one passage, it would be that. It will be so many years before another genius comes and composes something as brilliant as that (Shostokovich's first cello concerto and E flat MAJOR).
I just have a few questions after watching a few pianists perform it with 'ease', out of curiosity.
The score does not look that complex, but I imagine bringing it up to tempo would be very difficult. This is true for one who is not accustomed to Prokofiev's manner of composition. The awkward left hand also adds to the problem.
The brioso parts, e.g. scales/arpeggios, where some performers usually just approximate with glissandos, I imagine having fat fingers would definitely help.
After that it is RELATIVELY straightforward, with more fat-finger-passages, octave work for both hands.
The tricky part again would be the page before the last, with "chord-bashing", reminiscent of Rachmaninov's Prelude op.3 no.2 in C# minor.
Anyone who has learned this concerto, or at least this section? Care to share how you tackled your worst nightmares?
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