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Fingering: Fugue #1 in CM from WTC Book 1, Pedal in coda
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Topic: Fingering: Fugue #1 in CM from WTC Book 1, Pedal in coda (Read 290 times)
mound
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Fingering: Fugue #1 in CM from WTC Book 1, Pedal in coda
«
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July 24, 2005, 09:38:00 PM »
How does one maintain the C pedal point in the coda of this fugue while still playing tenor voice? My teacher is away for a few weeks, otherwise I'd ask him
thanks
-paul
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Bach - WTC 1:
Prelude & Fugue, BWV 847 no 2
Prelude & Fugue BWV 847 no 2
PS Urtext
- FIRST PAGE PREVIEW
Prelude & Fugue BWV 847 no 2
Czerny edition
- FIRST PAGE PREVIEW
Prelude & Fugue BWV 847 no 2
Bach-Gesellschaft edition
- FIRST PAGE PREVIEW
kghayesh
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Re: Fingering: Fugue #1 in CM from WTC Book 1, Pedal in coda
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Reply #1 on:
July 24, 2005, 11:13:14 PM »
Good question....
Well, when Bach wrote this there was no pedal coz it was originally written for the harpischord. So, you must keep pressing the C for the three bars with your 5 finger. It may sound strange but it is the only way to play it. If you have a score with fingering you will find the appropriate fingering for it because you will only use 4 fingers in the LH . The one at
www.sheetmusicarchive.com
will help you with the fingering.
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mound
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Re: Fingering: Fugue #1 in CM from WTC Book 1, Pedal in coda
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Reply #2 on:
July 25, 2005, 02:41:45 AM »
I have the URTEXT edition. Some fingering listed, nothing for the pedal tone. Just took a look at the one on sheetmusicarchive.net (ps - your URL posted to .com which is some popup site) - I see now, going with 3 and then 5. interesting
thanks!
-paul
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pseudopianist
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Re: Fingering: Fugue #1 in CM from WTC Book 1, Pedal in coda
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Reply #3 on:
July 25, 2005, 12:57:17 PM »
It is more of a tradtion then a real use... Hold it down all the way cause it will create overtones.
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Whisky and Messiaen
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