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Author Topic: Chopin etude in f minor opus 10 nr. 9  (Read 810 times)
lava
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« on: August 14, 2005, 02:54:27 PM »

A live recording of Chopin's study in f minor opus 10 nr. 9.

It takes a lot of stretching for the left hand but I've got quite big hands so that's not really a problem.

The recording itself contains a bit distortion, but is still enjoyable.

Another Chopin étude (nouvelle etude in f minor) which I played at the same performance can be found here: http://www.pianostreet.com/smf/index.php/topic,11721.0.html.

* 3._chopin_etude_nr._9_op._10.mp3 (4466.23 KB - downloaded 183 times.)
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piano sheet music of Etude
nanabush
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« Reply #1 on: August 15, 2005, 03:27:26 AM »

Sounds good, but not too sure if you were playin rubato or playin in 4/4 at starting...If it's rubato I would cut down a bit..
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lava
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« Reply #2 on: August 15, 2005, 06:06:20 AM »

You're right. I start rubato, holding the the first low f too long. I did't take piano lessons since 1992 until only one year ago. My teacher pointed me a the same thing: start immediately in the right tempo and keep it steady. There's still a lot to improve.
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nanabush
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« Reply #3 on: August 15, 2005, 09:22:38 PM »

It still sounds great though, you should feel good about learning this without having lessons in so long..
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BoliverAllmon
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« Reply #4 on: August 15, 2005, 09:45:34 PM »

that is a good recording. What fingering did you use in the LH? My friend is learning it and is currently using 5-4, but not sure what it is suppose to be.

boliver
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lava
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« Reply #5 on: August 15, 2005, 10:16:29 PM »

I like the 3rd finger to pivot on, so left hand mostly 531313. Sometimes with 2 and only a few times 4.

Get a good edition with fingering.

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BoliverAllmon
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« Reply #6 on: August 16, 2005, 11:37:35 PM »

We looked at a couple of editions and one had 5414145 and the other 5314135. Switching between the 4 and 3. just curious what you do.

boliver
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jeremyjchilds
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« Reply #7 on: August 17, 2005, 05:50:13 AM »

...good dynamic contrast...
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Kassaa
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« Reply #8 on: August 17, 2005, 06:32:32 AM »

Watch out for accents that don't fit in the melody line in the right hand. You often have accents on the last note of a phrase, which will make many pianists quite angry lol.

And indeed, you hold the f in the left hand to long.

However, your dynamics were great Smiley .
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lava
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« Reply #9 on: August 19, 2005, 04:54:07 PM »

Thanks, Kassaa you are right about the accents. My teacher also points on the importance of accents and phrasing.

Not to excuse myself, but this was recorded only 6 months after I started piano lessons again (after about 13 years "self-study"). But I am eager to learn.



 
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Kassaa
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« Reply #10 on: August 19, 2005, 07:09:30 PM »

Thanks, Kassaa you are right about the accents. My teacher also points on the importance of accents and phrasing.

Not to excuse myself, but this was recorded only 6 months after I started piano lessons again (after about 13 years "self-study"). But I am eager to learn.



 
Well, it would be fantastic if you would post a recording when you have worked on the accents and phrasing Smiley .
 
I'm really curious, because this recording was quite good already Smiley .
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Everything will pass, and the world will perish but the Waldstein Sonata will remain.
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