Ah, nice sensitive touch. Although, it differs quite a lot from how i played it so i went and brought out my sheets while i listened. I have an old Peters Edition, and maybe it differs from yours? There are many times where you play P or even PP, when it says F in my score. For example the ending frase before each fermata.
I also get a feeling that some phrases blur into eachother a bit.
I do like the feeling you give the movement, and perhaps i'm a bit biased by my own interpretation.
yeah, i think my pedalling is not so good that i myself noticed the blurring. i used the koenemann Music Budapest Urtext edition. i cant check it right now because i lent it to a friend. but i think it's different from urs, i did check the peters edition before and found a few different stuff.
thanks for pointing those things out. i think i would like to review it again after hearing ur comments.
I didn't like this one as much as the first movement. The feeling I get is that you barely give any character to the phrases. Oh well, the slow movements are usually the toughest, if you ask me. People can play wonderful fast movements but very seldom succeed in the slow ones. Uh, I meant this as an encouragement... :/ It's difficult to play slowly.