I just have a little question with regard to the time signature here. In the bass clef, the time signature is "common time" while in the Treble clef, the time signature is 24/16.
Why ?
Why not just have both be in 4 ?
(and for that matter, why even have a time signature of 24/16 ? My only guess is that this changes the articulation a little)
It doesn't change the articulation, but the implied tempo. This could have been a way of writing something like 'Allegro' on music today. Of course this is pointless to do now, because we can use metronome markings and/or words and just 1) simplify the time signature to 3/2 or 2) just write the notes as triplets.
It doesn't change the articulation, but the implied tempo. This could have been a way of writing something like 'Allegro' on music today. Of course this is pointless to do now, because we can use metronome markings and/or words and just 1) simplify the time signature to 3/2 or 2) just write the notes as triplets.
I couldn't agree more!
Another example I often use is the time signature for Chopin's e minor prelude. There is a reason it is in 2/2 and not 4/4.
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~~Sean. Instructor of Piano and Educator of Music.
Another example I often use is the time signature for Chopin's e minor prelude. There is a reason it is in 2/2 and not 4/4.
Could you please elaborate more on what you said about the time signature being 2/2 instead of 4/4? In what ways would this affect the way the music sounds?