Piano Street - piano sheet music
November 20, 2008, 12:53:06 PM *
Welcome, Guest. Please login or register.
   Forum Home   Help Search  

There are currently 7 users in the Piano Street chat rooms! Welcome in!
Pages: [1]   Go Down
  Print  
Author Topic: Beethoven 32 variation  (Read 357 times)
felia
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 59


« on: October 10, 2003, 01:16:23 PM »

hi friends~ Grin
Got another task.....seek for yours help now....I am working on Beeth. 32 variation now...
and find it is a very difficult part in the 9th variation...where you have 6 semiquavers against 4 crotchets......any suggest in order to work on it??
Roll Eyes

~Felia
Do you find this post useful? Yes / No
Logged

piano sheet music of 32 Variations
felia
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 59


« Reply #1 on: October 10, 2003, 01:18:32 PM »

Correction:
is 6 semiquavers againts 4 quavers Tongue

Thanks
Do you find this post useful? Yes / No
Logged
eddie92099
PS Silver Member
Sr. Member
***
Offline Offline

Posts: 1908


« Reply #2 on: October 10, 2003, 08:06:59 PM »

I can't stand that piece,
Ed
Do you find this post useful? Yes / No
Logged

felia
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 59


« Reply #3 on: October 13, 2003, 06:00:40 AM »

Embarrassedhey, friends.....
Really  nobody can help me....Although i admit i really gave a worong information...After i checked the score...and i found out is actually 6 semiquavers  against 4 semiquavers Tongue

Anyway....i am quite suffering too, praciticing that piece..cos my hand is not big enough.... :-/

But really looking for some advice,so that i can go on more confidentally..... Cheesy
Do you find this post useful? Yes / No
Logged
debussy_lover
Guest
« Reply #4 on: October 13, 2003, 07:00:08 AM »

The best way to practice Variation 9 is by thinking in 8th-note beats.  That way you only have to think of 2 against 3, rather than 6 against 4.  And remember, the the second 16th in the left hand comes exactly halfway between the second and third 16ths in the right.

Once you work out the ratio at a slow tempo, it should be fairly easy to gradually get up to a performance speed.

A final note about this piece as a whole - it's not meant to be played fast!  The most important thing is to keep a relatively steady, moderate tempo, which allows all the different rhythms and articulations to be very clear and precise.  Always remember the tempo is "Allegretto", not "Allegro" as it is often (wrongly) played.

Good luck - this is a wonderful piece!
Do you find this post useful? Yes / No
Logged
felia
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 59


« Reply #5 on: October 14, 2003, 07:03:46 AM »

Thanks~debussy_lover!i will  try to work out Smiley
Do you find this post useful? Yes / No
Logged
eddie92099
PS Silver Member
Sr. Member
***
Offline Offline

Posts: 1908


« Reply #6 on: October 14, 2003, 07:16:50 PM »

Quote


Good luck - this is a wonderful piece!


Pah  Wink,
Ed
Do you find this post useful? Yes / No
Logged

Pages: [1]   Go Up
  Print  
 
Jump to:  



Most popular classical piano composers:
Piano Street Sheet Music Library, complete list:
Powered by MySQL Powered by PHP Powered by SMF 1.1.7 | SMF © 2006-2007, Simple Machines LLC Valid XHTML 1.0! Valid CSS!
Page created in 0.109 seconds with 38 queries.
o