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Author Topic: Improv - Disjunct Nocturne  (Read 345 times)
quantum
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« on: July 20, 2006, 09:05:55 AM »

Like a nocturne / song, with some wierd melodic contours. 

Mics: (2x) Studio Projects B1
Interface: Edirol UA-25
Piano: Yamaha C3

Enjoy!

* July-20-2006_02.mp3 (11749.62 KB - downloaded 48 times.)
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Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
Derek
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« Reply #1 on: July 21, 2006, 07:03:37 PM »

Whoa...those melodies freakin rule...this piece is so atmospheric. I love it...great work. I love dark stuff like this...
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"timing is the complex part of simplicity" - Keith Jarrett
quantum
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« Reply #2 on: July 23, 2006, 07:38:01 AM »

Thanks. 

As I was talking about in the Happy Birthday thread, my LH accompaniment in this piece was largely based on contrapuntal movements. 
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Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
pianowolfi
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« Reply #3 on: August 31, 2006, 10:17:33 PM »

A really very good composition. Very wide spread use of different stylistic elements. I have a few questions about the recording equipment: Do you need the computer or does the interface work without? And if you use the computer, how do you avoid disturbing fan or harddrive noise on the recording? Because your recording quality is very good. I'm looking for similar devices.
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"An Artist..is born with a mania to complete himself, to create himself. He is so multiple and amorphous that his central self is constantly falling apart and is only recomposed by his work" Anaïs Nin
quantum
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« Reply #4 on: September 01, 2006, 05:17:26 AM »

A really very good composition. Very wide spread use of different stylistic elements. I have a few questions about the recording equipment: Do you need the computer or does the interface work without? And if you use the computer, how do you avoid disturbing fan or harddrive noise on the recording? Because your recording quality is very good. I'm looking for similar devices.

Thanks pianowolfi.

The interface is USB and requires the computer to run.  I use a laptop which has the advatages of being protable and haveing less noise than a desktop. 

I place the laptop on a chair beside the piano while the mics are directed towards the strings.  Having directional mics as opposed to omnis does help as you can direct it toward your sound source and have less amount of pickup behind the active area of the mic. 

Actually if the room is really quiet the mics can picup the sound of computer fans and the central air, but since I have them relatively close to the piano the piano's sound has much more presence in the recording. 

You can use heavy blankets, paper egg cartons, or those foam inserts that are used to package stuff as sound absorbant matieral and place them  around your computer to pick up noise.  I like those high qualtiy foam paddings used for computers or audio equipment (you know the ones that can squish like a sponge and bounce back). 
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Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
pianowolfi
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« Reply #5 on: September 01, 2006, 07:31:20 AM »

Thanks, that's helpful. Keep composing!
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"An Artist..is born with a mania to complete himself, to create himself. He is so multiple and amorphous that his central self is constantly falling apart and is only recomposed by his work" Anaïs Nin
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