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September 07, 2008, 09:23:59 AM
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Chopin 25/6
Poll
Question:
Which is more pro?
Sliding 2
4 (57.1%)
Iron Thumb
3 (42.9%)
Total Voters: 7
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Topic: Chopin 25/6 (Read 457 times)
bearzinthehood
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Chopin 25/6
«
on:
September 20, 2006, 12:44:30 AM »
Yep.
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Chopin - Etudes:
Etude, opus 25 no 6
Etude opus 25 no 6
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Etude opus 25 no 6
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opus10no2
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Re: Chopin 25/6
«
Reply #1 on:
September 20, 2006, 01:48:33 AM »
the point of different fingerings is to provide facility to this with different hands and difficulties.
learn both and use the more facile one!.
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nanabush
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Re: Chopin 25/6
«
Reply #2 on:
September 20, 2006, 02:45:33 AM »
what? iron thumb, sliding two?
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The Snozberries taste like Snozberries!!
bearzinthehood
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Re: Chopin 25/6
«
Reply #3 on:
September 20, 2006, 07:30:33 AM »
Chromatic 3rds, you can either slide finger 2 down or you can use finger 1 twice.
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nicco
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Re: Chopin 25/6
«
Reply #4 on:
September 20, 2006, 08:03:06 AM »
The slide works much much much much much much better in fast tempo
Believe me
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"Without music, life would be a mistake." - Friedrich Nietzsche
opus10no2
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Re: Chopin 25/6
«
Reply #5 on:
September 20, 2006, 08:13:05 AM »
Quote from: bearzinthehood on September 20, 2006, 07:30:33 AM
Chromatic 3rds, you can either slide finger 2 down or you can use finger 1 twice.
the thumb is also a slide, but also watch some of Lang Lang's 3rds in his don juan, amazing facility with the thumb.
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kriskicksass
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Re: Chopin 25/6
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Reply #6 on:
September 23, 2006, 03:34:39 PM »
I've never heard of sliding 2, but I happen t know that sliding the thumb works quite well. It's much more important that you have the proper facility of 3, 4, and 5. If those three fingers can move quickly enough then the thirds won't be a problem. Might I recommend you learn Op. 10 No.2 before you learn 25/6?
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Motrax
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Re: Chopin 25/6
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Reply #7 on:
September 24, 2006, 09:37:31 PM »
i slide. this da way of da true genius!!1
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"I always make sure that the lid over the keyboard is open before I start to play." -- Artur Schnabel, after being asked for the secret of piano playing.
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