Piano Street - piano sheet music
October 15, 2008, 09:08:49 PM *
Welcome, Guest. Please login or register.
   Forum Home   Help Search  
Pages: [1]   Go Down
  Print  
Author Topic: Liszt - Hungarian Rhapsody nr. 10  (Read 540 times)
alhimia
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 59


« on: November 18, 2006, 09:06:40 PM »

Hello, This is my version of this piece. It's a live recording. The piano was horrible, I barely could play pianissimo  Angry

Anyway, what do you think of this interpretation?

Thanks!

* 3.concert Tilburg Liszt.mp3 (2640.72 KB - downloaded 88 times.)
Logged

piano sheet music of Hungarian Rhapsody
ilikepie
PS Gold Member
Sr. Member
*****
Offline Offline

Posts: 265


« Reply #1 on: November 19, 2006, 08:08:56 AM »

Over all it was very nice. I like the clarity. Aside from the fact that you could not play pianissimo, it was good imo. I felt that you rushed a bit in the ending where the fast are begins, but you soon regained the pace. Nice work. Smiley I'm currently working on Liszt's Hungarian Rhapsody no.11. I'd record it when I get my digital and perhaps you can spare a  few comments as well Smiley PS: I personally prefer this HR to the 11th. I would have chosen it if it were not my teacher's choice.
Logged

Quote from: ultraviolet
That's the price you pay for being moderate in everything.  See, if I were you, my name would be Ilovepie.  But that's just me.
asyncopated
PS Silver Member
Sr. Member
***
Offline Offline

Posts: 399


« Reply #2 on: November 19, 2006, 11:42:45 PM »

Brilliant playing. The balance, and details where fantastic --  I got a new pair of headphones so could hear it properly!

There is a really good sound and energy in the piece is brilliant.  Love the change of mood from more caberet tone to a nice romantic legato at about 1:08.  Again a contrast in about 2:20. very nicely done.  The finale at 4:47 is your best bit of the piece, full of life and energy, it really captures the essence of the hungarian sound.

The only acouple of things that I can think of that perhaps could be better.  The first is that I think you could have more contrast in the sections.  For example I think the romatic section (2nd) could breath more and you could really take your time here with the rubation right up to the end of the section  You did to it most of the way through up till near the end.  The second thing is that I don't get the feeling of a single line drawn through the piece.  The sections sound good all on their own, but i couldn't hear the link between them.

Overall, really really good.  Thanks for sharing.
Logged
pianistimo
PS Silver Member
Sr. Member
***
Offline Offline

Posts: 12081


« Reply #3 on: November 21, 2006, 04:32:40 PM »

you're flying.  now come down to earth again.  i did this with my scarlatti - i started playing it faster and faster - just because i could.  but, remember - we have mortal ears.  if you play too fast - we can't hear it all.  but, you know what - i think you've made me believe in reincarnation -b ecause you play so fast it sounds humanly impossible.  are you sure you are not liszt.  or is this modified by computer somehow?  yikes.  is that you at the end HELP -did you fall over at theend?
Logged

'all that is necessary for the triumph of evil is for good men to do nothing.'  edmund burke
alhimia
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 59


« Reply #4 on: November 21, 2006, 09:55:38 PM »

Thanks for all your replies! I agree with most of the things being said. The point made by asyncopated is the same one as my teacher did: to have more space and contrast in the romantic section. I think it still sounds a little bit 'burocratic'. I will try to work on it.
I think this also has to do with being nervous (at least in my case). I always play faster than I want and I lose breath all the time. I expect it will be better the next time.

To answer the question of pianistimo: the end is certainly not modified with a computer or something, and to be honest, I play it even faster at home (at concerts I don't because I don't want to lose control). For me the tempo in this recording is fine, in any case, I can hear what I am doing and I  have control. That is really important for me. I agree that too fast playing often loses  its essence, but I think with this kind of music, you can search your limit and take risks (although my teacher also said it was too fast anyway).

Again thanks for replying. Keep posting your thoughts!
Logged
jlh
PS Silver Member
Sr. Member
***
Offline Offline

Posts: 2270


« Reply #5 on: November 22, 2006, 02:55:18 AM »

Sounds great... brilliant playing, and I really like your sense of timing in most places!  Please don't fault the piano though, you get what you're presented with and that's it.  I think you sounded great in spite of, or because of the piano, and most people listening wo this recording won't suspect that you had difficulties.

Logged

. ROFL : ROFL:LOL:ROFL : ROFL '
                 ___/\___
  L   ______/             \
LOL "”””””””\         [ ] \
  L              \_________)
                 ___I___I___/
Pages: [1]   Go Up
  Print  
 
Jump to:  



Most popular classical piano composers:
Piano Street Sheet Music Library, complete list:
Powered by MySQL Powered by PHP Powered by SMF 1.1.6 | SMF © 2006-2007, Simple Machines LLC Valid XHTML 1.0! Valid CSS!
Page created in 0.138 seconds with 36 queries.
o