Alkan=Overrated Difficulty

[jakev2.0]

NB: Alkan wrote some of the technically easiest music in the entire repertoire. (Some of the Esquisses, Preludes)

[bflatminor24]

Indeed. Nobody is debating that. We're comparing pieces like the Solo Concerto and the Grande Sonata vs. Brahms Paganini Variations.

Brahms, too, wrote very easy pieces, but they aren't the subject of debate. So far, the only composer I haven't seen "easy" pieces from is Sorabji, whose apparently less difficult works such as the pastiches are still of monumental difficulty for an advanced amateur pianist.

~Max~

[jakev2.0]

Alkan wrote some hard stuff. But not as hard as Godowsky.

Moving on?

[bflatminor24]

Godowsky's music is underrated for difficulty, in my humble opinion. He wrote music that is texturally complex and requires outstanding dexterity and finger control as well as clarity and voicing. His music has more complexities than Alkan's, generally speaking.

Unfortunately, his works aren't performed in public very frequently...what a shame.

~Max~

[jakev2.0]

Yep. I think Godowsky's music is really the most complex written, and ever will be written for the piano.

[bflatminor24]

That's a pretty broad statement, there are some crazy Eastern European composers who wrote ridiculously complex music.

Quality and complexity, however, are two very different things.

[jakev2.0]

Yeah, it's purely subjective, but I think that for combo of complexity + quality, Godowsky is champion.

[etudes]

i am just asking how many of you guys have really played Alkan's difficult pieces (op.33, some of 35,concertos for solo piano,symphony,op.76 op.17)
if you really play them...you will know how hard they are!(how hard to push it to the performance's level.)

[opus10no2]

Yep. I think Godowsky's music is really the most complex written, and ever will be written for the piano.

No, he isnt all-out all the time, but true he goes as far as anyone has ever gone with a romantic tonal pallette. Then the difficulty of performance is also magnified by the rigeur of counterpoint.

[jre58591]

those two recordings of those two godowsky etudes are awful compared to hamelin. i can imagine that hatto did a better job also. on topic, id say that godowsky is definitely more difficult with those etudes, for the difficulty is so concentrated, where as it may be spead out with alkan.

[jakev2.0]

F*CK YOU

[jre58591]

F*CK YOU

ahaahahah its fun to aggravate you.

[jakev2.0]

WRONG.

[soliloquy]

Damn.  Comme should forward this thread to da Jackson Forum.

I give up caring about this one.  Soooo dysjointed.



And no, Godowsky is not as hard as Alkan, due to the high level of pianism in Godowsky's works, although a "difficulty in Godowsky vs. Alkan" thread could actually get some real debate going.

[jakev2.0]

And no, Godowsky is not as hard as Alkan, due to the high level of pianism in Godowsky's works, although a "difficulty in Godowsky vs. Alkan" thread could actually get some real debate going.

This doesn't even make sense.

[soliloquy]

This doesn't even make sense.

Start a thread about it and I'll elaborate.  Not going to push this one even MORE off topic.

[bflatminor24]

And no, Godowsky is not as hard as Alkan, due to the high level of pianism in Godowsky's works, although a "difficulty in Godowsky vs. Alkan" thread could actually get some real debate going.

I think what he is saying is that Godowsky's music fits very well under the hand, whereas some of Alkan's music requires very quick hand adjustments and agility. I would agree, but I would also add that Godowsky's music was also more contrapuntally complex. And yes, that would make a more interesting debate, but I think it's more germane to compare actual works, instead of making general statements about composers.

~Max~

[opus10no2]

If metronome markings are to be taken, Godowsky's 25/11 amplification is the most difficult one of his etudes.

If Alkan's are to be taken, Comme le Vent is Alkan's most difficult piece.

I'd say the former is harder to achieve.

[bflatminor24]

Dude, that just isn't true. Neither of those pieces are the composer's most difficult.

Godowsky's most difficult pieces are probably his Sonata, Passacaglia, and Bach Transcriptions.

Alkan's most difficult are probably his Solo Concerto, Grande Sonata, Le Preux and Op. 76 etudes.

Were I to compare the difficulty of works, I would juxtapose the Grande Sonata with the Godowsky Sonata. Those are fairly well matched.

So guys, what do you think? What makes either the Grande Sonata or the Godowsky Sonata more difficult? If you need the score, I have scores to both

~Max~

[opus10no2]

NO.

The works you mention would take longer to learn the notes, but once they are all learnt, pianistic difficulty becomes more apparent.

Are you even aware that playing the Godowsky 25/11 at tempo has been considered impossible by Hamelin?

No? Then shut your mouth, before I shut it for you, Hoochie Mama.

[bflatminor24]

Why don't you just shut it for me then, big boy?

Yeah, if you want to be taken seriously, you should threaten people on a piano forum. That is a sure way to gain respect.

I guess I am wrong once again, because op10no2 says so!

~Max~

[opus10no2]

Why don't you just shut it for me then, big boy?

Yeah, if you want to be taken seriously, you should threaten people on a piano forum. That is a sure way to gain respect.

I guess I am wrong once again, because op10no2 says so!

~Max~

If that weren't sarcasm, it would be a perfectly logical post.

When comparing the difficulties of things, you have to consider how common an achievment it is, especially in light of the amount of attempts that has been made to achieve it.

Hundreds of thousands of people have attempted to play Chopin's original 25/11, noone on record has achieved the correct tempo completely without rubato.

Several pianists have attempted Comme le Vent, none have played it very close to tempo.

Several pianists have played the Godowsky 25/11, none have really gotten anywhere NEAR the indicated tempo.

Any competent pianist could spend the time memorizing the Godowsky sonata or the Alkan Concerto, and most technically endowed concert pianists could play all of their passages at indicated tempo.

See, it is speed which seperates the men from the boys, the few from the many.

[bflatminor24]

I Completely disagree. In fact, you won't find ONE credible source to corrobate that view. Nobody in the professional world would agree that speed is the separating factor between "boys" and "men." Speed is probably the last thing separating them.

In fact, I doubt you really know what the tempo markings are. And even if you looked them up, I doubt you know what they mean, or how fast it would equate to on a metronome. Why don't you tell me the first five tempo markings on both the Alkan and Godowsky sonatas, sir?

Not only is your logic wrong, but your facts are wrong. I don't even know where to begin.

Do you think pianists like Horowitz, Gould, Richter, Rubinstein, Arrau, Gilels and Hofmann were defined as great pianists because of their speed? I'm curious to hear your answer to this.

~Max~

[panic]

Jesus fu*king christ guys. Judging by this thread, Alkan's 200th birthday will feature riots, political upheaval, and me staying indoors for fear of becoming a victim of the condescending piano elitists' massive bombing raids on each other. Lighten the hell up.

Alkan wrote some very easy music that can be played by most intermediate to advanced pianists, and it's a shame that it isn't played more often. We've established this.

Alkan also wrote some ridiculously hard music that should scare the pants off most anyone, and which I seriously doubt anyone here has played. We've established this. We've also established that this hard music is probably what the title and purpose of this thread relates to, but that it's hard to gauge whether its difficulty is overrated or not because no one here has really played it. We can only speculate.

What more is there to discuss? This thread has become a bunch of Montagues and Capulets, people quarrelling over pride and the desire to prove themselves right when the original subject of argument has become ridiculously moot.

Again, lighten the hell up.

[opus10no2]

.

I Completely disagree. In fact, you won't find ONE credible source to corrobate that view. Nobody in the professional world would agree that speed is the separating factor between "boys" and "men." Speed is probably the last thing separating them.

In fact, I doubt you really know what the tempo markings are. And even if you looked them up, I doubt you know what they mean, or how fast it would equate to on a metronome. Why don't you tell me the first five tempo markings on both the Alkan and Godowsky sonatas, sir?

Not only is your logic wrong, but your facts are wrong. I don't even know where to begin.

Do you think pianists like Horowitz, Gould, Richter, Rubinstein, Arrau, Gilels and Hofmann were defined as great pianists because of their speed? I'm curious to hear your answer to this.

~Max~

I DO know what the tempo markings are, however I only remember them if they are particularly remarkable.

My logic and facts are correct.

Great pianists of course aren't only defined by their speed, only their technical ability is.

And technical ability is the only objectively assessable area of their greatness, so I never argue about subjective matters like music, I only discuss the hard cold facts of speed.

Listen up and learn, you have an opportunity here.

[opus10no2]

it's hard to gauge whether its difficulty is overrated or not because no one here has really played it. We can only speculate.

I have played some Alkan, never up to performance level just yet, but I do have an intimate knowledge of the figurations he uses in his piano works, and can compare them with those of Chopin and Liszt.

I'm sure others here have the same experience, so give us some credit, we know what we're talking about.

[bflatminor24]

Haha I knew it, you don't have any idea what the tempo markings are or anything. You also have no idea if the Hamelin recordings are up to speed or not, because you don't really know how fast he is playing them or how fast he should be playing them. I guess you just have a bone to pick with someone and want to assert yourself by championing speed above anything else.

Well, it's been fun...

~Max~

[opus10no2]

I do know...I also own all of Hamelin's Godowsky recordings.

Hamelin himself couldn't be quoted on all of them, he just remembers a vague idea of what the tempo should be, and he adhers to most of them.

This isn't the case with the 25/11 one, which has a memorable marking that Hamelin himself discusses in the liner notes, citing that it is completely unreasonable.

[bflatminor24]

You don't own the score to any Godowsky music nor Alkan. That explains why you don't know the actual tempo markings.

[opus10no2]

I do, I just don't feel the need to find the metronome marks to all of them, I know most of them roughly, as would Hamelin - he wouldn't be able to remember them all..

[mephisto]

You don't own the score to any Godowsky music nor Alkan. That explains why you don't know the actual tempo markings.

Err, EVERYBODY who wants to can go to sites like this http://www.piano.ru/god.html and download all of Godowsky's Chopin etudes.

Opus10no2 has given EXTREMELY good points to why he is right.
It is useless to discuss what is diffult or not difficult, unless we have a tempo that is followed. But very very few pianist care about the tempo markings in the score. Godowsky's Sonata it easier than playing the 25.11(original and Godowsky version) at the requested speed. Hamelin can play the Godowksy Sonata, but not the 25.11 at tempo.

To make it easier for you:
A certain mr Rusnak has played ALL of the Chopin etudes. The Chopin etudes at the written tempo are extremely difficult. rusnak is no where close to them, and he plays wrong notes. Gavrilov on the other hand gives the technicly most impressive complete set. That set proofs that Gavilrov's technic is great, and that Rusnak's isn't. By your logic both of them have the same technic since they can play the same pieces.


My other point:

You wrote that novody could call ANY of Alkan's music easy. But I have to dissapoint you and say that I can. Three other persons have written the same thing.

[opus10no2]

Yes, however I like to refrain from absolutely saying that the 25/11 is more difficult than the whole Godowsky sonata, because the Godowsky sonata would take more time to learn and memorize, but the difficulty I, and many people care about , is the difficulty of performing it, at tempo.

It's like comparing the difficulty of jogging around the world, with the difficulty of running 100 metres in under 9.9 seconds.

[jericho]

Yeah, I posted that before. Even Chopin etudes are extremely difficult when played at the indicated tempo. Since the discussion has gone out of topic, what do you guys think of the original version of Liszt's etudes, like the Grand Douze Etudes? I've never seen the score nor heard(even in recordings) any of them but they are supposed to be as difficult as Godowsky and Alkan Etudes.

[jakev2.0]

Jesus fu*king christ guys. Judging by this thread, Alkan's 200th birthday will feature riots, political upheaval, and me staying indoors for fear of becoming a victim of the condescending piano elitists' massive bombing raids on each other. Lighten the hell up.

Alkan wrote some very easy music that can be played by most intermediate to advanced pianists, and it's a shame that it isn't played more often. We've established this.

Alkan also wrote some ridiculously hard music that should scare the pants off most anyone, and which I seriously doubt anyone here has played. We've established this. We've also established that this hard music is probably what the title and purpose of this thread relates to, but that it's hard to gauge whether its difficulty is overrated or not because no one here has really played it. We can only speculate.

What more is there to discuss? This thread has become a bunch of Montagues and Capulets, people quarrelling over pride and the desire to prove themselves right when the original subject of argument has become ridiculously moot.

Again, lighten the hell up.

YES. /END THREAD]

[opus10no2]

Yeah, I posted that before. Even Chopin etudes are extremely difficult when played at the indicated tempo. Since the discussion has gone out of topic, what do you guys think of the original version of Liszt's etudes, like the Grand Douze Etudes? I've never seen the score nor heard(even in recordings) any of them but they are supposed to be as difficult as Godowsky and Alkan Etudes.

Yes, I'm very famliar with these.

Liszt never gives exact tempo markings, and reports of his own performances of Feux Follets suggest he played it rather slowly by modern standards.

The tremelos in no12 are thicker, the no8 has extended extra sections, the no2 and 10 are generally just both much more complex, and if played at tempos usually played with the TEs are very difficult.

Feux follets in the original isn't much more complex, but in both versions the double notes are of a difficulty which could belong in a Godowsky study.

There aren't really any extended passages in any Alkan which require this kind of outer finger dexterity in double notes.

[wervel]

You idiots, all of you. Algebra doesn't mean Linear Algebra, it means Algebra like solving for one variable or doing systems of equations like 8th grade. Way to miss the point. F.ucking douchebags. I hate you all.
 ..........yaddayadda.......
~Max~

Don't lecture me, I hold a phd in maths.

The point of the OP might have been that, just maybe, that 'the great pianists' didn't play Alkan&