Piano Street - piano sheet music
September 05, 2008, 02:57:03 PM *
Welcome, Guest. Please login or register.
   Forum Home   Help Search  
Pages: [1]   Go Down
  Print  
Author Topic: Schumann - Traumeri  (Read 563 times)
faj
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 70


« on: December 21, 2006, 03:29:11 AM »

I personally quite happy with this recording, but still want to hear any advice/ comments .

Best Regards,
Faj


* Traumeri.mp3 (2458.44 KB - downloaded 280 times.)
Logged

piano sheet music of Träumerei
amitmis
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 28


« Reply #1 on: December 21, 2006, 09:51:14 PM »

Very well played!

Although the "background music  Smiley" was pritty annoying. Rock or something...


Anyway - I think some parts were played a little slower than needed, and some parts were played faster then needed.

Therefore, I can give you a "grade" of 85-95.  Grin


Amit.

Logged
asyncopated
PS Silver Member
Sr. Member
***
Offline Offline

Posts: 399


« Reply #2 on: December 21, 2006, 11:46:38 PM »

I personally quite happy with this recording, but still want to hear any advice/ comments .

Best Regards,
Faj


I agree.  Excellent playing.  The voices are very clear, and the lines are very good.  I think your teacher certainly knows what he or she is doing.

There are some minor technical things :-
Ornament for the romantic period are nomally done before the beat, as opposed to on the beat for classical pieces.  You've chosen to do them on the beat, but i think you should also try it before the beat if you have not (which i find more difficult), and decide in the end what you want, if you have not already done so.

As I said, it is voiced excellently.  Especially things like the third variation where you can hear the line moving from one hand to the other (not that you can hear which hand is playing which is good).  The forth variation before the return to the original theme you play louder, which is the correct.  I would have played the third variation  very much softer -- introverted and crescendo into forte for the forth variation.  To me the forth one is the most important of all the variations, the third one is the most interesting. 

I agree also with what amitmis says about the rubato.  Sometimes it sounds like like some notes are paired up. Whereas what you need is a line through the whole thing.  Long long lines with in the small pharses are very important as you know.

There are the more iffy things that may be because of my lousy speakers.
1. I would do more dynamics in the pharsing which you already naturally do, but just be slighly more bold about it, so that the expression is very clear. 

2.  I think you can work a bit more on the touch (like i said maybe it's the speakers).  you need to keep the voice, but the touch needs to be very light and singing -- slightly floaty.  You do this in the very last variation (the return), and it sounds excellent there.  I think you can do this for the whole piece to give it a more etheral quality. There the voice is still clear and that is crucial.

3. The last thing you need to think about, after you choose to do any of these things, or even if you don't is you need to tell the story convincingly.  You play well very very well, but if you hear horowitz play this you will understand --  it sounds like you can hear his soul in every single note.  I suppose I think it's possible for you to sound like horowitz!   For this, it's an amalgamation all the technique put in, that is so strong that you can forget about it and just concentrate on telling the story.


Ok... well done.  it's clear that you love this piece as much as i do.  Hope some of these things are helpful.

Logged
piano121
PS Silver Member
Full Member
***
Offline Offline

Posts: 214


« Reply #3 on: December 23, 2006, 12:21:12 PM »

That´s a truly beautifull recording. You got a very deep and sensitive touch for it. You can show lots of emotion on every note. Thanks a lot for this recording. You could put it in a CD, if it wasn´t the terriblr backgroud sound. (waht was that? Shocked) Other than that is just a gorgeous interpretation.
Logged
faj
PS Silver Member
Jr. Member
***
Offline Offline

Posts: 70


« Reply #4 on: December 24, 2006, 10:45:17 PM »

Hi!  .. Thanks a lot for all your comments and advice.

I just notice the background noise after reading reply here and heard that noise when turned the volume very high .
That's the sound of water filter of my marine water tank, + noise of Air condition + fan of my PC ... sorry for that   Angry

Hi asyncopated, thanks alot for your great advice... that's very helpful for me.
Play this as beautiful as Horowitz do is my dream ...traumeri ... though still long way to reach there.
Off course I agree that Horowitz version is the perfect one ..
But I don't want to play any piece like someone play. I just want to do it my own way.

Once again, thanks a lot for all your great comments .. I love this piece so much
 
Logged
Pages: [1]   Go Up
  Print  
 
Jump to:  



Most popular classical piano composers:
Piano Street Sheet Music Library, complete list:
Powered by MySQL Powered by PHP Powered by SMF 1.1.5 | SMF © 2006-2007, Simple Machines LLC Valid XHTML 1.0! Valid CSS!
Page created in 0.158 seconds with 36 queries.
o