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Author Topic: two schumann requests :)  (Read 295 times)
imbetter
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« on: January 23, 2007, 10:09:17 PM »

I need Schumann arebesque in C and theme and variations op.1

thanks Cool


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Mozartian
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« Reply #1 on: January 23, 2007, 10:35:19 PM »

http://www.sheetmusicfox.com/Schumann/

Abegg will kill you, and if you do Arabeske, pick a better pianist than Jando to copy your interpretation from.

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[lau] 10:01 pm: like in 10/4 i think those little slurs everywhere are pointless for the music, but I understand if it was for improving technique
imbetter
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« Reply #2 on: January 23, 2007, 10:39:09 PM »

http://www.sheetmusicfox.com/Schumann/

Abegg will kill you, and if you do Arabeske, pick a better pianist than Jando to copy your interpretation from.



lol...

Horowitz is the only one ive heard play this Smiley
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Mozartian
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« Reply #3 on: January 23, 2007, 10:43:24 PM »

Listen to Rubinstein's Arabeske, tis my favorite. Clara Haskil does a beautiful job with the Abegg variations.
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[lau] 10:01 pm: like in 10/4 i think those little slurs everywhere are pointless for the music, but I understand if it was for improving technique
imbetter
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« Reply #4 on: January 23, 2007, 10:45:43 PM »

Listen to Rubinstein's Arabeske, tis my favorite. Clara Haskil does a beautiful job with the Abegg variations.

the abegg does look pretty difficult. I'll put it off. The arbeske looks pretty managable though.

I'm pretty fond of Richters abegg.
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Mozartian
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« Reply #5 on: January 23, 2007, 11:03:38 PM »

the abegg does look pretty difficult. I'll put it off. The arbeske looks pretty managable though.

I'm pretty fond of Richters abegg.

Yeah once you crack the funky fingering of the Arabeske (accompaniment divided over both hands), it's pretty much a breeze. Nice parlor music, haha. Don't play it too fast! You lose the piece if you speed through it- it should be reflective and dreamy (IMO, of course).

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[lau] 10:01 pm: like in 10/4 i think those little slurs everywhere are pointless for the music, but I understand if it was for improving technique
imbetter
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« Reply #6 on: January 23, 2007, 11:22:34 PM »

Yeah once you crack the funky fingering of the Arabeske (accompaniment divided over both hands), it's pretty much a breeze. Nice parlor music, haha. Don't play it too fast! You lose the piece if you speed through it- it should be reflective and dreamy (IMO, of course).



ok ill take that into account
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