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Author Topic: Best Op.1?  (Read 4094 times)
phil13
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« on: February 28, 2007, 07:14:23 PM »

Which composer started off with the best first published piece?

[removed personal opinion due to all the great pieces I forgot about in a hasty answer  Wink]

Phil
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pianistimo
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« Reply #1 on: February 28, 2007, 07:24:55 PM »

theresa carreno's opus 1 - 'gottschalk waltz'

also, she championed mac dowell.  nobody remembers her.  hmmm.  maybe because she's a woman?
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dnephi
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« Reply #2 on: February 28, 2007, 07:42:03 PM »

Brahms Opus 1. Sonata in C Major.  Rach 1 concerto is good, but remember that the version you know is not the one Op. 1, but is the harmonically revised version. 

No woman composers were fantastic, I confess.  Sad.  It's their fault, I suppose, for not writing something that fantastic.  Decent, yes.  Good, yes.  Enjoyable, yes.  There are women composers better than some men composers.

But not anything really hardcore.
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opus10no2
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« Reply #3 on: February 28, 2007, 07:49:31 PM »

Chopin, or Berg.
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Kassaa
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« Reply #4 on: February 28, 2007, 07:51:35 PM »

Chopin, or Berg.
Chopin? Like, dude!
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quantum
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« Reply #5 on: February 28, 2007, 08:12:03 PM »

Chopin, or Berg.

If the question was "Best Op. 2?" then I would definitely say Chopin. 
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« Reply #6 on: February 28, 2007, 08:21:01 PM »

Chopin's op1 rondo is VALLY GUD.
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pianistimo
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« Reply #7 on: February 28, 2007, 08:22:22 PM »

gottschalk waltz composed in 1863 by theresa carreno at the age of 10.  beat that.
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phil13
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« Reply #8 on: February 28, 2007, 08:52:52 PM »

Chopin's op1 rondo is VALLY GUD.

Yeah, but not like the Berg or either of the ones I previously mentioned. It's a nice piece, and it's interesting, but Chopin did WAY better things, and not long afterward.

Rach 1 concerto is good, but remember that the version you know is not the one Op. 1, but is the harmonically revised version.


How do you know what version I know?

I may like the revised version better, but I still believe that the original merits playing.

Phil
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thalbergmad
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« Reply #9 on: February 28, 2007, 09:06:53 PM »

Henselt Donizetti Varations.

Quality.

Thal
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iumonito
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« Reply #10 on: February 28, 2007, 09:54:48 PM »

Bach's 6 partitas.
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phil13
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« Reply #11 on: February 28, 2007, 09:57:18 PM »

Bach's 6 partitas.

Are they really Op.1? Or, rather, BWV 1?

Phil
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thalbergmad
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« Reply #12 on: February 28, 2007, 10:28:39 PM »

gottschalk waltz composed in 1863 by theresa carreno at the age of 10.  beat that.

This is the 2nd time you have mentioned this today.

Beat that, hmmmmmmmmmmm, lets think. Mozart Minuet in G, K1, composed at the age of 6.

Thal
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pianistimo
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« Reply #13 on: February 28, 2007, 10:39:50 PM »

ruth schonthal composed a sonatina for piano when she was five.  accepted into 'wunderkind' composition school - she deftly wrote this piece out without even looking down.
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thracozaag
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« Reply #14 on: February 28, 2007, 10:51:54 PM »

 I'd go with either the Brahms 1st sonata, Schumann Abegg, or the Berg Sonata.

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Mozartian
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« Reply #15 on: February 28, 2007, 10:54:05 PM »

Schumann Abegg. Cool
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« Reply #16 on: February 28, 2007, 11:09:51 PM »

Beethoven piano trios; Szymanowsky preludes; Berg sonata. Op. 1 is mostly not the first composition a composer did, for instance Beethoven wrote a lot before his op. 1, like the Kurfürsten-Sonatas and others.
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thracozaag
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« Reply #17 on: February 28, 2007, 11:17:21 PM »

 Obviously, but the question referred to the first published piece by that particular composer.

koji
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mikey6
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« Reply #18 on: February 28, 2007, 11:19:58 PM »

Erlkonig!
What was Mendelssohn's op.1? Most of his best stuff was written when he was younger.
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thalbergmad
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« Reply #19 on: February 28, 2007, 11:22:30 PM »

If the question was "Best Op. 2?" then I would definitely say Chopin. 

Agreed.

In 10 years this thread will be on best opus 399, where the choices will be somewhat more limited.

Thal
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imbetter
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« Reply #20 on: February 28, 2007, 11:23:20 PM »

abegg by schumann
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jre58591
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« Reply #21 on: March 01, 2007, 12:55:52 AM »

im tempted to say that rachmaninoff's 1st concerto is a good opus 1, but the original version is very immature and the revision isnt really the same piece (i still like both though).
my vote goes to medtner's 8 mood pictures. theyre in my top 10 favorite medtner pieces (not all 8 of course) and top 50 romantic pieces.
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thracozaag
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« Reply #22 on: March 01, 2007, 12:59:50 AM »

  Good call on the Medtner, I had stupidly forgotten about that.

koji
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soliloquy
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« Reply #23 on: March 01, 2007, 06:42:40 AM »

Berg, Mosolov, Kodaly
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gruffalo
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« Reply #24 on: March 01, 2007, 02:19:00 PM »

im tempted to say that rachmaninoff's 1st concerto is a good opus 1, but the original version is very immature and the revision isnt really the same piece (i still like both though).
my vote goes to medtner's 8 mood pictures. theyre in my top 10 favorite medtner pieces (not all 8 of course) and top 50 romantic pieces.

wasn't rach's op.1 the opera 'Aleko'?
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jre58591
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« Reply #25 on: March 01, 2007, 10:16:29 PM »

wasn't rach's op.1 the opera 'Aleko'?
nope. this was written after his graduation from the consevatory. the concerto, i believe, was writen while he was there. he had it published shortly thereafter.
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imbetter
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« Reply #26 on: March 01, 2007, 10:17:02 PM »

wasn't rach's op.1 the opera 'Aleko'?

nope
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phil13
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« Reply #27 on: March 01, 2007, 10:20:23 PM »

nope. this was written after his graduation from the consevatory. the concerto, i believe, was writen while he was there. he had it published shortly thereafter.
nope

Uhhh...what? What was the point in even posting that, Ibty?

Berg, Mosolov, Kodaly

What is Kodaly's Op.1?

Phil
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counterpoint
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« Reply #28 on: March 01, 2007, 10:46:08 PM »

Beethoven's 3 Piano Trios op.1

There is such a mastery of composition in these pieces, which is really outstanding for a opus 1.

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iumonito
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« Reply #29 on: March 01, 2007, 10:57:03 PM »

Are they really Op.1? Or, rather, BWV 1?

Phil

Op. 1.  Publishing was not common then.
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el nino
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« Reply #30 on: March 01, 2007, 11:31:34 PM »

schumann abegg. one of the greatest pieces by him
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« Reply #31 on: March 02, 2007, 12:07:29 AM »

Berg's Piano Sonata. Pretty sensational start.
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« Reply #32 on: March 03, 2007, 10:06:36 AM »

Uhhh...what? What was the point in even posting that, Ibty?

judging from the date, it appears they posted at the same time.
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« Reply #33 on: July 25, 2007, 02:52:00 AM »

I'm surprised that no one has mentioned one of the seminal works of the Romantic period: Paganini, Op 1, 24 Caprices.
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Nightscape
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« Reply #34 on: July 25, 2007, 03:18:21 AM »

There are a lot of good op.1 out there.

I don't think the Abegg variations are substantial enough for the best op.1 but I would definitely put them in the top 10.  The Brahms op.1 is closer, but still doesn't take the cake for me.  The Chopin is most certainly not the best opus one - while a fun piece it somehow lacks something really special to place it in the top ranks.  The Schubert "opus one" is probably the most performed opus one, you hear that song a lot it seems.  Liszt even made a transcription of it so he thought highly of it as well.

The Berg opus 1 is I think the second best opus 1 out there.  It is extremely inventive and very accessible considering how chromatic it is.  Berg shows a mastery of composition already with this work.

But in my opinion the opus one that beats all others are Beethoven's three op.1 piano trios.  Already with these Beethoven had totally mastered the Viennese classical sonata form and was already pushing the boundaries.  Not to mention that there is well over a hours worth of music in this opus 1.  The music seems to have a control rarely heard, yet the music is surprisingly straightforward and simple looking (at least when compared to Berg.)   Some of Beethoven's catchiest tunes are here also, especially in the finales.  The slow movement of the G major trio is especially beautiful.  This is music I would never tire of and is also music that almost anyone can enjoy.
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thalberg
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« Reply #35 on: July 28, 2007, 09:48:45 PM »

Berg's Piano Sonata. Pretty sensational start.


woohoo!  That's my piece.  (Wrote a dissertation on it.)
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jlh
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« Reply #36 on: July 30, 2007, 01:06:58 AM »

No woman composers were fantastic, I confess.  Sad.  It's their fault, I suppose, for not writing something that fantastic.  Decent, yes.  Good, yes.  Enjoyable, yes.  There are women composers better than some men composers.

You mean "it's NOT their fault?" 

Women have been at a disadvantage societally speaking since the beginning of modern western music history.  Music professions were the domain of men, and women were to learn things that would help them be a better housewife.  If they were musicians, usually they were self-taught or taught informally.  Some women even assumed masculine pen names to get published.  It was not until the 20th century that it became widely acceptable for women to compose and perform.  Many things have changed in the past several decades though, and I fully expect to find some wonderful gems by female composers from now on.

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« Reply #37 on: July 30, 2007, 02:47:26 AM »

You mean "it's NOT their fault?" 

Women have been at a disadvantage societally speaking since the beginning of modern western music history.  Music professions were the domain of men, and women were to learn things that would help them be a better housewife.  If they were musicians, usually they were self-taught or taught informally.  Some women even assumed masculine pen names to get published.  It was not until the 20th century that it became widely acceptable for women to compose and perform.  Many things have changed in the past several decades though, and I fully expect to find some wonderful gems by female composers from now on.




Wait a second, it might have been more difficult for a woman to enter the profession, at least as an instrumentalist or composer, but it cannot be denied that women had the best training and instruction music ever had to offer.  Who are you thinking of that was self-taught or informally taught?  Haydn, Mozart, Beethoven, Czerny, Chopin, and Liszt were barraged with women students, usually of the upper class.  They had to teach these people to make a living. 

Walter Ramsey
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