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Author Topic: mozart technique  (Read 1587 times)
sonata76
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« on: May 03, 2007, 12:00:14 AM »

hi quick question.would you say ronda alla turca is good for technique?my right forth and fifth fingers are weaker than my left.any help would be appreciated.
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piano sheet music of Alla Turca
shortyshort
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« Reply #1 on: May 03, 2007, 09:44:11 AM »

not sure, but i had fun learning it. I had to learn a lot of new techniques to get it to sound right.
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If God really exists, then why haven't I got more fingers?
counterpoint
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« Reply #2 on: May 03, 2007, 09:55:06 AM »

hi quick question.would you say ronda alla turca is good for technique?my right forth and fifth fingers are weaker than my left.any help would be appreciated.

Perhaps they are not weak enough to play this piece...?  Roll Eyes
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It's the movement that makes the sound.
rc
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« Reply #3 on: May 03, 2007, 06:36:21 PM »

Sure, it uses those fingers...

But you don't need any kind of permission to learn ronda alla turka, you don't need to learn it for the purpose of working specific fingers.  You can learn it because you want to and it's a great piece of music.  You want to play it don't you?

Go for it.  Make sure everything sounds even and proper.  Learn it to your best abilities and hold no regrets.
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counterpoint
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« Reply #4 on: May 03, 2007, 07:23:18 PM »

Sure, it uses those fingers...

What I wanted to say: it's very hard to play this and similar pieces with strong fingers!
I know what I say, because I have played quite a long time with strong fingers, and this piece was very, very hard for me. Now I play with relaxed fingers: now it's much easier to play - and it sounds much better.
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It's the movement that makes the sound.
rc
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« Reply #5 on: May 04, 2007, 02:43:18 AM »

Oh, I was referring to the OP there...  But I'm glad you clarified, your post was pretty vague - flew right over my head Cheesy
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stevetrug
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« Reply #6 on: May 04, 2007, 09:38:37 PM »

What I wanted to say: it's very hard to play this and similar pieces with strong fingers!
I know what I say, because I have played quite a long time with strong fingers, and this piece was very, very hard for me. Now I play with relaxed fingers: now it's much easier to play - and it sounds much better.

I'm just coming to the same realisation. Good to hear someone else had the same challenge with it. Like all Mozart, it's so hard to make it sound really good.
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pseudo.naivete
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« Reply #7 on: May 06, 2007, 06:11:04 AM »

Like all Mozart, it's so hard to make it sound really good.

I agree... I memorized this piece but then gave up playing it because I couldn't make justice to the music.
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pianowolfi
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« Reply #8 on: May 06, 2007, 08:31:31 AM »

I don't know what you're talking about, I rarely use 4-5 in this piece. For instance I play the beginning 4-3-2-1-3   4-3-2-1-3   4-3-2-1-4-3-2-1-4-3-2-1-3  1-3  123 24 13 24 123 24 13 24    and so on. Ok harpsichordists would probably laugh about this fingering, but I don't care.
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"An Artist..is born with a mania to complete himself, to create himself. He is so multiple and amorphous that his central self is constantly falling apart and is only recomposed by his work" Anaïs Nin
amelialw
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« Reply #9 on: May 25, 2007, 06:15:35 PM »

I would'nt say Rondo Alla Turca is that technical, anyway everyone plays it Tongue try another sonata if u really wanna build up your 5th finger
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nightingale11
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« Reply #10 on: May 25, 2007, 08:16:07 PM »

Hi, Sonata76

have a look here:

http://www.pianostreet.com/smf/index.php/topic,17052.msg182714.html#msg182714

and here:

http://pianoforum.net/smf/index.php/topic,2851.msg24984.html#msg24984
(Introduction to romantic pieces – how technique is specific to pieces)
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