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Diminished Chords - Blocked or Arpeggiated
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Topic: Diminished Chords - Blocked or Arpeggiated (Read 183 times)
theodore
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Diminished Chords - Blocked or Arpeggiated
«
on:
May 16, 2007, 06:31:51 PM »
Is there a good technique for learning the diminished chord without looking?
My eyes constantly look for the patterns and I also memorize the first and last notes.
The diminished chord has 4 notes plus the octave. Trying to calculate the minor thirds is tedious and time consuming.
Any ideas...
Theodore
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oscarr111111
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Re: Diminished Chords - Blocked or Arpeggiated
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Reply #1 on:
May 16, 2007, 07:36:39 PM »
The diminished 7th chord only exists in 3 different versions, the rest are all inversions of those 3.
I'd just learn the shapes and the inversions, since there are so few of them anyway.
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counterpoint
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Re: Diminished Chords - Blocked or Arpeggiated
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Reply #2 on:
May 16, 2007, 07:59:24 PM »
Yes, one with D# and F#
one with C# and A#
and one with only G#
all other keys are WHITE
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It's the movement that makes the sound.
ail
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Re: Diminished Chords - Blocked or Arpeggiated
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Reply #3 on:
May 17, 2007, 12:25:09 PM »
If you want an easy way to find them, pick a starting note. Then, count 3 semitones up and you have the next note. Repeat until you get 4 keys (or get back to the same note an octave up).
I some time ago made a list of interval signatures. It helped me greatly in figuring what kind of chord I have before me, and consequently in analysing. there 12 semitones in the scale.
So, a major chord is defined by this signature
4-3-5
meaning 4 semitones between the first and the second note, 3 between the 2nd and the 3rd, 5 between the 3rd and the 1st again (one octave up).
The minor is
3-4-5
and the diminished is
3-3-3-3
I have a larger list, but these are the basics anyway, and anyone can make this kind of calculations.
Alex
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