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October 08, 2008, 12:24:47 AM
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Which piece is more difficult? (Brahms)
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Question:
Which piece is more difficult? (Brahms)
Capriccio Op 76-1
9 (81.8%)
Intermezzo Op 116-2
2 (18.2%)
Total Voters: 11
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Topic: Which piece is more difficult? (Brahms) (Read 403 times)
presto agitato
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Which piece is more difficult? (Brahms)
«
on:
September 30, 2007, 02:40:24 AM »
Please explain your reazons
Thanks
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The masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the cocomposer what he ought to have composed.
--Alfred Brendel--
Brahms - Fantasies:
Intermezzo, opus 116 no 2
Intermezzo opus 116 no 2
- FIRST PAGE PREVIEW
Brahms - Eight Pieces (Klavierstück):
Capriccio, opus 76 no 1
Capriccio opus 76 no 1
(complete collection)
- FIRST PAGE PREVIEW
Capriccio opus 76 no 1
- FIRST PAGE PREVIEW
pita bread
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Re: Which piece is more difficult? (Brahms)
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Reply #1 on:
September 30, 2007, 05:23:12 PM »
Op. 76/1 is much more awkward to play especially if you have small hands.
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stevea
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Re: Which piece is more difficult? (Brahms)
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Reply #2 on:
October 01, 2007, 06:08:32 PM »
Most definitely the Capriccio, especially if you have small hands as pita bread pointed out. It's just a generally more awkward piece. Op. 118 No. 2 fits the hands well.
Even though they are from different opuses, I think they make a great pairing, because of the contrasts and the key relationships. They just sound great together.
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dnephi
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Re: Which piece is more difficult? (Brahms)
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Reply #3 on:
October 01, 2007, 10:58:27 PM »
That's 116-2.
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For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert. (Roughly quoted, Franz Liszt.)
pianistimo
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Re: Which piece is more difficult? (Brahms)
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Reply #4 on:
October 01, 2007, 11:40:28 PM »
what about the 'ossia' part in the opus 116 #2? i think that looks more difficult. even with small hands, the capriccio isn't that hard if you don't try to reach everything. you just bring your hands to the notes. if you play fast enough, there are no breaks. and, it fits into your hand. frankly, i find playing large chords the difficult thing. also, any secrets to that 'ossia' part?
can you choose whether you want to play the top line that's written OR the ossia? you wouldn't play both together, right?!
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'all that is necessary for the triumph of evil is for good men to do nothing.' edmund burke
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