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December 02, 2008, 09:23:08 PM
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Prelude & Fugue in b-flat WTC bk. 1
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Topic: Prelude & Fugue in b-flat WTC bk. 1 (Read 363 times)
faustsaccomplice
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Prelude & Fugue in b-flat WTC bk. 1
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December 04, 2007, 02:05:03 AM »
recorded last month at my friend's house
prelude & fugue.mp3
(2457.55 KB - downloaded 61 times.)
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Bach - WTC 1:
Prelude & Fugue, BWV 866 no 21
Prelude & Fugue BWV 866 no 21
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Prelude & Fugue BWV 866 no 21
Czerny edition
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Prelude & Fugue BWV 866 no 21
Bach-Gesellschaft edition
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faustsaccomplice
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Re: Prelude & Fugue in b-flat WTC bk. 1
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Reply #1 on:
December 07, 2007, 12:38:09 AM »
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arensky
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Re: Prelude & Fugue in b-flat WTC bk. 1
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Reply #2 on:
December 10, 2007, 05:53:22 PM »
This is really good. Sounds impromptu, like you just sat down and played without preparation. Your articulation is very clear and your tone is perfectly suited to Bach. There are a couple smudges here and there but nothing major (at least for pianostreet)
Good job.
What brand of piano was this? Sounds like an Asian instrument, I'm curious.
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= o o =
\ ' / "You're as good as the the best work you've done"
Billy Wilder
faustsaccomplice
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Re: Prelude & Fugue in b-flat WTC bk. 1
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Reply #3 on:
December 10, 2007, 11:57:58 PM »
you're quite observant
indeed, it's a yamaha
thanks for your comments and encouragement. it's interesting what you said about it sounding impromptu. indeed, i hadn't practiced the piece for quite a while, but i was playing a lot of stuff and recording it, and i just went through a bunch of stuff with little pressure, and some of it turned out ok, even if it was relatively unpracticed.
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arensky
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Re: Prelude & Fugue in b-flat WTC bk. 1
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Reply #4 on:
December 13, 2007, 06:14:05 PM »
Quote from: faustsaccomplice on December 10, 2007, 11:57:58 PM
you're quite observant
indeed, it's a yamaha
thanks for your comments and encouragement. it's interesting what you said about it sounding impromptu. indeed, i hadn't practiced the piece for quite a while, but i was playing a lot of stuff and recording it, and i just went through a bunch of stuff with little pressure, and some of it turned out ok, even if it was relatively unpracticed.
I do this from time to time, sit down and play something I haven't played in a while; the results are usually pretty good although I wouldn't take them out in public. If you work on a piece intensively and really learn it inside out the work is not wasted. When you came back to it after a long time it's fresh. I heard that freshness in your playing. I believe this is one of elements that makes a great instrumentalist, this ability to capture spontaneity in a jar and release it at will. To combine this with technical perfection is no mean achievement. Like fine wine, it takes time.
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= o o =
\ ' / "You're as good as the the best work you've done"
Billy Wilder
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