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September 05, 2008, 08:59:50 AM *
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Question: whats your favorite musical era?
Baroque - 1 (3.1%)
classical - 2 (6.3%)
early romantic - 7 (21.9%)
late romantic - 14 (43.8%)
comtemparary - 8 (25%)
Total Voters: 32

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Author Topic: whats your favorite musical era?  (Read 485 times)
communist
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« on: January 14, 2008, 02:13:56 PM »

i know i spelled comtemperary wrong  Cheesy
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dnephi
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« Reply #1 on: January 14, 2008, 03:57:05 PM »

Communism is my favorite, followed by Catholicism and Buddhism.
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For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)
gerryjay
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« Reply #2 on: January 14, 2008, 08:16:03 PM »

Communism is my favorite, followed by Catholicism and Buddhism.
don't forget about serialism, dadaism, and existentialism.
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current repertory:
mozart: sonata k.332;
chopin: ballade opus 38;
brahms: rhapsodies opus 79;
debussy: children's corner suite.
thalbergmad
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« Reply #3 on: January 14, 2008, 08:50:54 PM »

My favourite era is comtemporary.

I could listen to Finnissy, Barlow & Barrett all day.

Thal
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communist
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« Reply #4 on: January 14, 2008, 09:09:02 PM »

what do you to mean by catholicism and everything that dose not have to do with communism or the topic? 
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pianogeek_cz
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« Reply #5 on: January 14, 2008, 10:10:56 PM »

May I suggest looking at http://en.wikipedia.org/wiki/Irony? Roll Eyes

To answer the original, albeit arbitrary question, 1st half of the 20th century.
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pianochick93
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« Reply #6 on: January 15, 2008, 04:14:13 AM »

I like all romantic, but we couldn't vote more than once so I put late romantic, becuase that is where Rachmaninoff's stuff is placed.
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gerryjay
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« Reply #7 on: January 15, 2008, 04:41:08 AM »

May I suggest looking at http://en.wikipedia.org/wiki/Irony? Roll Eyes
hey geek!
 1000 times Grin.
 thanks for the link. i only hope i didn't wake up the neighboors with my laughs!
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current repertory:
mozart: sonata k.332;
chopin: ballade opus 38;
brahms: rhapsodies opus 79;
debussy: children's corner suite.
ihatepop
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« Reply #8 on: January 21, 2008, 11:28:52 AM »

My favorite is the early romantic. Small fusion between classical and heavy romantic. I like it.

ihatepop
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arensky
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« Reply #9 on: January 21, 2008, 07:05:02 PM »

i know i spelled comtemperary wrong  Cheesy

Willful proletarian ignorance....  Angry Roll Eyes


I like polls but I can't vote in this one, I like all of that music.  Smiley
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gerryjay
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« Reply #10 on: January 21, 2008, 07:41:37 PM »

Willful proletarian ignorance....  Angry Roll Eyes
  Grin
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current repertory:
mozart: sonata k.332;
chopin: ballade opus 38;
brahms: rhapsodies opus 79;
debussy: children's corner suite.
pianowolfi
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« Reply #11 on: January 21, 2008, 07:56:03 PM »

don't forget about serialism, dadaism, and existentialism.

I am serious about "existentialism", it's my favorite "era" and it's actually what I want to do in music Smiley. I mean, there is nothing like that in music yet, so I just claim that I am the founder of this genre Smiley. If somebody knows more I am very open to corrections. But so far I haven't heard of any musical genre "existentialism". If somebody else already founded this genre I would be happy to follow his/her footsteps but if not, I officially claim here, on ps, to be the first one.

(Btw I *love* dadaism Smiley )
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"An Artist..is born with a mania to complete himself, to create himself. He is so multiple and amorphous that his central self is constantly falling apart and is only recomposed by his work" Anaïs Nin
gerryjay
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« Reply #12 on: January 21, 2008, 10:46:14 PM »

 hey wolfie!
 i think you just made history up here.

 there was no musical existentialism until you, dude! now it's just a matter of compose some actual music, or to set forth some aesthetical principles (if you don't want to get tired in the process of being a genius).
 it's interesting that the movement would be separated of its intelectual principles by almost a century, but music sometimes is slower than other fields of knowledge (just think about the romantic era), so i guess you have time yet to acomplish your goal.

 btw, if people acknowledge you as the founder of this musical language, i have an official petition also: to be recognized as the first scholar to notice this emergent tendency, hence claiming all the intelectual rights over any academic quotation about you or your musical trends.
 now, please, get famous and imortal soon!
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current repertory:
mozart: sonata k.332;
chopin: ballade opus 38;
brahms: rhapsodies opus 79;
debussy: children's corner suite.
dnephi
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« Reply #13 on: January 21, 2008, 11:35:30 PM »

Quote
intelectual acomplish intelectual imortal
Puns on the spelling of comtemporary? Cool 

Either way..
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For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)
point of grace
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« Reply #14 on: January 22, 2008, 01:54:15 AM »

which composers would be early romantic?
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Db - the bestttt
retrouvailles
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« Reply #15 on: January 22, 2008, 01:56:32 AM »

which composers would be early romantic?

Mendelssohn, Hummel, Herz, Clementi, Czerny, the various Salon composers, and many others I can't think of now.

I voted for contemporary. It's the musical period with the most variety and the one that is in the most need of appreciation and attention.
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point of grace
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« Reply #16 on: January 22, 2008, 02:00:48 AM »

Mendelssohn, Hummel, Herz, Clementi, Czerny, the various Salon composers, and many others I can't think of now.

I voted for contemporary. It's the musical period with the most variety and the one that is in the most need of appreciation and attention.

clementi and czerny?Huh i thought they were pure classical

i also voted for contemporaryy!!!!!!!!
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Db - the bestttt
pianowolfi
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« Reply #17 on: January 22, 2008, 08:41:28 AM »

hey wolfie!
 i think you just made history up here.

 there was no musical existentialism until you, dude!
good to know Smiley
 
Quote
now it's just a matter of compose some actual music,
I wouldn't have claimed that if I hadn't already composed a set of pieces which is pure existentialism and is called "Styx. A Long Journey" The official premiere of this piano solo program with short texts about life, death and love was on October 18th 2007 so this is, I guess the official start of Existentialism, then Cool
Quote
or to set forth some aesthetical principles (if you don't want to get tired in the process of being a genius).
 it's interesting that the movement would be separated of its intelectual principles by almost a century, but music sometimes is slower than other fields of knowledge (just think about the romantic era), so i guess you have time yet to acomplish your goal.

 btw, if people acknowledge you as the founder of this musical language, i have an official petition also: to be recognized as the first scholar to notice this emergent tendency, hence claiming all the intelectual rights over any academic quotation about you or your musical trends.
 now, please, get famous and imortal soon!
Thanks I'll try my best Grin

I'm not so sure about the academic principles though, in that to be a musical existentialist in my sense there is "only" (well it's quite heavy sometimes hence the quotes) required to make music as a result of an examination of existential questions, i.e. life/death/existence/love/being/consciousness etc. so you see that this is a very free movement and not yet academically graspable. Smiley
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"An Artist..is born with a mania to complete himself, to create himself. He is so multiple and amorphous that his central self is constantly falling apart and is only recomposed by his work" Anaïs Nin
gerryjay
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« Reply #18 on: January 24, 2008, 02:08:49 PM »

I wouldn't have claimed that if I hadn't already composed a set of pieces which is pure existentialism and is called "Styx. A Long Journey" The official premiere of this piano solo program with short texts about life, death and love was on October 18th 2007 so this is, I guess the official start of Existentialism, then 8)Thanks I'll try my best Grin
thanks for the research information. now i´m eager for that kind of details to write my soon-to-be-published book wolfi and the musical existentialism.

"to be a musical existentialist in my sense there is "only" required to make music as a result of an examination of existential questions, i.e. life/death/existence/love/being/consciousness etc." (WOLFI, 2008)
excuse me but i must disagree with your consideration that the movement isn´t graspable yet. as you can see, you already give me elements for academic considerations and debate. my analysis and research are in progress!
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current repertory:
mozart: sonata k.332;
chopin: ballade opus 38;
brahms: rhapsodies opus 79;
debussy: children's corner suite.
imchopin
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« Reply #19 on: January 26, 2008, 05:21:56 AM »

People like me, who do not know much about musical eras, tend to lump them all together and call it 'classical music'... Roll Eyes I love it all, so I vote 'classical'  Shocked Grin
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gerryjay
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« Reply #20 on: January 26, 2008, 02:18:31 PM »

Quote from: imchopin
I love it all, so I vote 'classical'  Shocked Grin
that´s the perfect vote. i second that!  Grin
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current repertory:
mozart: sonata k.332;
chopin: ballade opus 38;
brahms: rhapsodies opus 79;
debussy: children's corner suite.
i heart xenakis
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« Reply #21 on: February 21, 2008, 11:45:02 PM »

Darmstadt forward.
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indutrial
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« Reply #22 on: March 04, 2008, 06:49:24 PM »

I voted for contemporary. It's the musical period with the most variety and the one that is in the most need of appreciation and attention.

Seconded. The greater part of my interest is Debussy/Faure forward. I certainly appreciate the other periods, especially baroque/classical, but the music of neoclassicism, serialism, etc... definitely has much more variety and plenty of tangible attachments to the other periods...so it's really like you're getting them all at once.
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