Piano Forum

Piano Street Magazine:
How Many Hours Should You Practice the Piano? – The Lines Between Science, Method and Passion

It is a timeless question, a persistent voice in the mind of every pianist: “How many hours must I practice to truly improve?” It springs from a perfectly legitimate desire to measure the commitment required to transform our ambitions into sound, whether that means playing a simple minuet or dreaming of the world’s most prestigious stages. Giulio Cinelli from Pianosolo.it guides us through this classic topic. Read more

Topic: Beethoven Op.27 n.2 - Concert/Lesson by Pietro Rigacci  (Read 4212 times)

Offline giuggio

  • Newbie
  • *
  • Posts: 1
Hi all,

I recorded a nice Event in Florence: a concert/lessons by Pietro Rigacci of the second sonata of Beethoven op.27, the Moonlight Sonata!

There was a little presentation of the Sonata and the executions. I want to share with you these videos! Thank you all!

The lesson


The execution (1mvt, 2mvt, 3mvt)






Sign up for a Piano Street membership to download this piano score.
Sign up for FREE! >>

Offline pianowolfi

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 5655
Re: Beethoven Op.27 n.2 - Concert/Lesson by Pietro Rigacci
Reply #1 on: April 28, 2011, 08:50:54 PM
Well, it might be only me, but I don't really like this interpretation because it's just so honey-sweet, florid and cliché. It's perfectly played for a cosy sunny sunday afternoon homeconcert with very conservative listeners. I have a different picture of this sonata. I imagine to dive right into a mysterious suspense from the first note and not release it until the last. It's an abyss, not a reverie.

Offline iratior

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 274
Re: Beethoven Op.27 n.2 - Concert/Lesson by Pietro Rigacci
Reply #2 on: April 29, 2011, 12:17:44 AM
I'm curious -- what would you do differently in order to imbue the piece with such mysterious suspense?  How do you feel about the cadenza just after the chromatic run up to the trill in the final movement?  Rudolf Serkin did it as slowly as if it were to hearken back to the first movement;  I liked that.  Some people want it to be fast, though.
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert
Customer Reviews