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Liszt Utrecht 2026: A New Chapter in a Legendary Competition

Piano Street is in Utrecht this week, reporting live from Liszt Utrecht 2026 - a distinctive modern format where a major competition unfolds inside a full-scale festival of themed concerts, chamber music, and recitals. Watch the 40th Anniversary Jubilee and livestreamed final concert. Read more

Topic: Composition Competitions  (Read 1908 times)

Offline dinosaurtales

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Composition Competitions
on: January 08, 2006, 06:43:02 AM
From what I can tell all of the performance competitions have some kind of age limit - 30 being most common.  My teacher says that composition competitions don't always have those same limits, although an initial search on Google dredged up a whole list of competions that all seemed to limit out at some point. - 35 or shortly thereafter.  Does anyone know of competitions that have no age limit?
So much music, so little time........

Offline gorbee natcase

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Re: Composition Competitions
Reply #1 on: January 09, 2006, 11:33:13 PM
I would like to know how many of these compositions that were successful, entered the main stream repertoire. Just a thought :)
(\_/)
(O.o)
(> <)      What ever Bernhard said

Offline tac-tics

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Re: Composition Competitions
Reply #2 on: January 11, 2006, 06:56:21 AM
Why are there age limits at all?

Offline pianistimo

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Re: Composition Competitions
Reply #3 on: January 11, 2006, 06:42:30 PM
try https://composersforum.org  and click on 'opportunities.'  there's some good stuff there.

and for younger students:
www.youngcomposers.com/yc/misc/composition/compose-music.html
* 'it's so beautiful! sob.'   (my first compositions were really short)

Offline dinosaurtales

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Re: Composition Competitions
Reply #4 on: January 15, 2006, 04:09:51 AM
Why are there age limits at all?

Because for some weird reason people are obsessed with YOUNG talent.  Look at the fuss people make over a 9 year old that can play a concerto.  To me it's almost like a freak show.  They'll go see that, but will whine about an adult that plays it more musically.  I don't get it myself. 
So much music, so little time........
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Piano Street Magazine:
“The Sound Always Comes First” — Andrea Bonatta on Teaching Liszt

Why tone matters more than speed, why reading Goethe matters as much as practising octaves, and how a single insight can transform a performance. Italian pianist and scholar Andrea Bonatta has spent decades exploring the contradictions of Franz Liszt, from performer to man of faith, virtuoso to poet. Here, in conversation with Piano Street at Liszt Utrecht 2026, he shares his vision. Read more
 

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