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The Quiet Revolutionary of the Piano – Fauré’s Complete Piano Works Now on Piano Street

In the pantheon of French music, Gabriel Fauré (1845–1924) often seems a paradox—an innovator cloaked in restraint, a Romantic by birth who shaped the contours of modern French music with quiet insistence. Piano Street now provides sheet music for his complete piano works: a body of music that resists spectacle, even as it brims with invention and brilliance. Read more

Topic: Learning to Read Music  (Read 2269 times)

Offline ramseytheii

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Learning to Read Music
on: November 17, 2006, 01:46:46 AM
Looking for some direction on teaching non-music readers (young 'uns) how to read.  Is there a thread that on piano forum that was exhaustive of the subject?  Or are there any particularly recommended books?  Let me know!

Walter Ramsey

Offline hyrst

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Re: Learning to Read Music
Reply #1 on: November 17, 2006, 04:44:22 AM
What age group?  I use much more physical things for the really little ones - 2 to 5 years.

There has been an excellent thread a couple of weeks ago.  I'm not sure where to find it, though. 

Offline PaulNaud

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Re: Learning to Read Music
Reply #2 on: November 17, 2006, 08:28:04 PM
Piano Sight-Reading by Leonhard Deutsh gives you clear instructions.
Music soothes the savage breast.
Paul Naud

Offline beethoven2

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Re: Learning to Read Music
Reply #3 on: November 20, 2006, 05:18:13 PM
i learned by a catchy little tune with lyrics.  i'll tell u the lyrics

 E G B D F...(then we snapped)are the names of the lines of the treble cleff
F A C E....(snapped again) the spaces are easy.
we had a little dance that went with it too.

we also had sayings, like for the bass cleff, for G B D F A: Good Boats Do Float Always

~Christian
~__ />
 /\ /\        The Horsey ROCKS!! 

(curtosy of rach n bach)

Offline chocolatedog

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Offline juliax

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Re: Learning to Read Music
Reply #5 on: November 21, 2006, 06:45:36 PM
I use the australian method "progressive for young beginners" for ages 3 thru 6.  We use rhythm instruments as well as site singing and ear training to learn middle C thru G in the treble, and bass C thru G in the bass clef.  I don't teach the entire staff (EGBDF) until my students have a thorough understanding of intervals up to a 5th.  This makes the memorizing of the lines and spaces almost obsolete.  I really never found it that useful when I was growing up, and I really don't think focusing on the alphabet over the actual pitch has any real benefit.  It's much faster to read intervals and pitches than having the added hassle of learning all the letters.  Unfortunately, not all children between 3 and 6 are that comfortable with the alphabet yet, so the sequence of the letters is meaningless to them.
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Piano Street Magazine:
Chopin and His Europe - Warsaw Invites the World

Celebrating its 20th anniversary the festival “Chopin and His Europe” included the thematic title “And the Rest of the World”, featuring world-renowned pianists and international and national top ensembles and orchestras. As usual the event explored Chopin's music through diverse perspectives, spanning four centuries of repertoire. Piano Street presents a selection of concerts videos including an interview with the festival’s founder, Chopin Institute’s Stanislaw Leszczynski. Read more
 

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