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New Bach Recordings – Two Preludes and Fugues

A new instalment of two Preludes and Fugues from Bach’s WTC I, performed by Martin Sturfält, has been published; the joyous and energetic C-sharp major set (which must surely be one of the most difficult to read on account of the extreme choice of key – seven sharps – taking you through keys such as B-sharp and E-sharp major!) and the simply remarkable work in B minor. Read more >>

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Author Topic: The long term one hundred  (Read 5244 times)
chopin2015
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« Reply #50 on: August 28, 2012, 03:45:30 AM »

As great as playing through the piece by sight is for you, I also recommend conscious practice, such as targeting just a couple bars at a time in addition to playing through the piece by sight. If you are reading to familiarize yourself with the piece, you may find yourself spending a large amount of your practice time on just a particular piece. If you do a couple bars at a time, you will only have to go back to those bars probably just once your next practice. I only give this advice because you want to practice many at once? You have to be a very good multitasker to be proficient with your time and see results on every piece when you expect it. P.S some pieces you will probably surprise yourself and finish faster, others look difficult and turn out to be more difficult. Smiley Good luck!
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"Beethoven wrote in three flats a lot. That's because he moved twice."
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