Technique: Harmonic Minor Scales
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 harmonic minor scales
April 28, 2010, 03:25:31 AM by johnjoseph
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I notice that recommended fingering for the right hand in some of the harmonic minor scales [ e.g F# and C# ] is inconsistent ; i.e you begin on 2,3 and this becomes 3,4 later . Would it be better to start with 3,4 ?
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minor scale systems
February 17, 2010, 08:51:52 PM by renfroejames
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Hi,
I was wondering if someone could explain to me why the harmonic minor scale is played the same way whether it is descending or ascending, while the melodic minor scale ( with raised 6 and 7) is played ascending but the natural minor is played descending.
Also, let’s say I was composing an ascending melody using the melodic minor scale – do I need to use specific notes going up but vary them going down? My confused logic would say yes because I need to play the natural minor while descending.
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Scales
March 26, 2009, 01:36:26 AM by 8426
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About a month ago me and my teacher decided to play only scales and Czerny.
Is this good? Should I practice a piece also?
What are good exercises/rythms for scales? To gain more fluidity and so on.
I also have trouble with the ascension of the left hand. In ascension of right hand I can "arm walk," but when it is on the left my body blocks it and I have to move my hip. This tenses my right side.
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What's the point of scales?
September 19, 2006, 02:04:35 PM by aaron_ginn
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Really, I don't get it. What does playing scales over and over gain you that simply playing real works doesn't?
I'm a beginner and I'm currently working on the third movement of the Moonlight Sonata. Obviously, I can see the benefit of playing C# arpeggios over and over, but I don't understand how playing the entire C# scale up and down will help me.
I'm not trying to stir anything up. I'm just genuinely curious about the benefits of scales over actually learning scales by playing real works in a given key.
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Harmonic Minor Scales (sheet music) 