<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Piano Street Magazine</provider_name><provider_url>https://www.pianostreet.com/blog</provider_url><title>A Scottish-Viennese Odyssey - Piano Street Magazine</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="f5PFicaAap"&gt;&lt;a href="https://www.pianostreet.com/blog/articles/a-scottish-viennese-odyssey-10789/"&gt;A Scottish-Viennese Odyssey&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.pianostreet.com/blog/articles/a-scottish-viennese-odyssey-10789/embed/#?secret=f5PFicaAap" width="600" height="338" title="&#x201C;A Scottish-Viennese Odyssey&#x201D; &#x2014; Piano Street Magazine" data-secret="f5PFicaAap" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/* &lt;![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://www.pianostreet.com/blog/wp-includes/js/wp-embed.min.js
/* ]]&gt; */
&lt;/script&gt;
</html><description>When Dutch pianist Ronald Brautigam was in Sweden in September to play two piano concertos with Helsingborg Symphony Orchestra, we talked with the performer in the midst of rehearsal. The concert was recorded for Helsingborg Concert Hall Play series and &#x2013; according to Brautigam &#x2013; Sally Beamish&#x2019;s 1st piano concerto named &#x201D;Hill Stanzas&#x201D; and Mozart&#x2019;s 17th, make a very fine [&hellip;]</description><thumbnail_url>https://www.pianostreet.com/blog/wp-content/uploads/2020/11/brautigam-plays.jpg</thumbnail_url></oembed>
