<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Piano Street Magazine</provider_name><provider_url>https://www.pianostreet.com/blog</provider_url><title>That Fascinating Dash of Blue - Piano Street Magazine</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="anWcMgvJH9"&gt;&lt;a href="https://www.pianostreet.com/blog/articles/that-fascinating-dash-of-blue-7051/"&gt;That Fascinating Dash of Blue&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.pianostreet.com/blog/articles/that-fascinating-dash-of-blue-7051/embed/#?secret=anWcMgvJH9" width="600" height="338" title="&#x201C;That Fascinating Dash of Blue&#x201D; &#x2014; Piano Street Magazine" data-secret="anWcMgvJH9" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/* &lt;![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://www.pianostreet.com/blog/wp-includes/js/wp-embed.min.js
/* ]]&gt; */
&lt;/script&gt;
</html><description>Since the early 20th century, jazz always had a significant impact on classical music and classical pianists. Composers found the rhythms, the blue quality in melody and harmony, as well as the spontaneous improvisation immensely fascinating and irresistibly modern. Gershwin brought jazz into the classical concert venues Even though composers like Debussy, Ravel, Stravinsky and even Soviet composers used jazz [&hellip;]</description><thumbnail_url>https://www.pianostreet.com/images/blog/rhapsody-in-blue-cover.jpg</thumbnail_url></oembed>
