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<oembed><version>1.0</version><provider_name>Piano Street Magazine</provider_name><provider_url>https://www.pianostreet.com/blog</provider_url><title>The Art of Visionary Discovery - Interview with Enrico Pompili - Piano Street Magazine</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="DkSzCLggUE"&gt;&lt;a href="https://www.pianostreet.com/blog/articles/the-art-of-visionary-discovery-9259/"&gt;The Art of Visionary Discovery &#x2013; Interview with Enrico Pompili&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.pianostreet.com/blog/articles/the-art-of-visionary-discovery-9259/embed/#?secret=DkSzCLggUE" width="600" height="338" title="&#x201C;The Art of Visionary Discovery &#x2013; Interview with Enrico Pompili&#x201D; &#x2014; Piano Street Magazine" data-secret="DkSzCLggUE" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>A native of Bolzano, Italian pianist Enrico Pompili won several national competitions before being one of the finalists at the Dublin International Piano Competition. In 1994 he was second to Viktor Lyadov at the Hamamatsu Competition, and the following year he was awarded the top prize at the XIII Paloma O&#x2019;Shea Competition. This success launched an international career starting from [&hellip;]</description><thumbnail_url>https://www.pianostreet.com/blog/wp-content/uploads/2018/08/pompili1.jpg</thumbnail_url></oembed>
