{"version":"1.0","provider_name":"Piano Street Magazine","provider_url":"https:\/\/www.pianostreet.com\/blog","title":"Bruno Monsaingeon - Fascination and Confidence - Piano Street Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"6dxJXW05Tq\"><a href=\"https:\/\/www.pianostreet.com\/blog\/articles\/bruno-monsaingeon-fascination-and-confidence-12520\/\">Bruno Monsaingeon &#8211; Fascination and Confidence<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pianostreet.com\/blog\/articles\/bruno-monsaingeon-fascination-and-confidence-12520\/embed\/#?secret=6dxJXW05Tq\" width=\"600\" height=\"338\" title=\"&#8220;Bruno Monsaingeon &#8211; Fascination and Confidence&#8221; &#8212; Piano Street Magazine\" data-secret=\"6dxJXW05Tq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pianostreet.com\/blog\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"After his films about greats like Glenn Gould, Yehudi Menuhin, Sviatoslav Richter and many others, films in which he exposes the soul of those artists with great empathy, Bruno Monsaingeon himself is quasi a legend. In recent months, he has been putting the finishing touches to a film about Klaus M\u00e4kel\u00e4, the new chief conductor of the Royal Concertgebouw Orchestra. [&hellip;]","thumbnail_url":"https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2023\/12\/image1-1024x768.jpg"}