{"version":"1.0","provider_name":"Piano Street Magazine","provider_url":"https:\/\/www.pianostreet.com\/blog","title":"Tamara Stefanovich: Combining and Exploring Pianistic Worlds - Piano Street Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"1WmvKMsT8a\"><a href=\"https:\/\/www.pianostreet.com\/blog\/articles\/combining-and-exploring-pianistic-worlds-13169\/\">Tamara Stefanovich: Combining and Exploring Pianistic Worlds<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pianostreet.com\/blog\/articles\/combining-and-exploring-pianistic-worlds-13169\/embed\/#?secret=1WmvKMsT8a\" width=\"600\" height=\"338\" title=\"&#8220;Tamara Stefanovich: Combining and Exploring Pianistic Worlds&#8221; &#8212; Piano Street Magazine\" data-secret=\"1WmvKMsT8a\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pianostreet.com\/blog\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Pianist Tamara Stefanovich is a well-known name to concert audiences throughout the world and to discophiles maybe mostly known for her engagement in contemporary and 20th century repertoire. This reflects of course her concert programmes as well as collaborations, where her recordings with French pianist Pierre-Laurent Aimard stand out with two exceptionally strong proponents of contemporary aesthetics and pianism. Stefanovich [&hellip;]","thumbnail_url":"https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2024\/12\/stefanovich.jpg","thumbnail_width":1000,"thumbnail_height":666}