{"version":"1.0","provider_name":"Piano Street Magazine","provider_url":"https:\/\/www.pianostreet.com\/blog","title":"In Search of the Spanish Scarlatti - Piano Street Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"4PjxkbXYBc\"><a href=\"https:\/\/www.pianostreet.com\/blog\/piano-news\/in-search-of-the-spanish-scarlatti-3270\/\">In Search of the Spanish Scarlatti<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pianostreet.com\/blog\/piano-news\/in-search-of-the-spanish-scarlatti-3270\/embed\/#?secret=4PjxkbXYBc\" width=\"600\" height=\"338\" title=\"&#8220;In Search of the Spanish Scarlatti&#8221; &#8212; Piano Street Magazine\" data-secret=\"4PjxkbXYBc\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pianostreet.com\/blog\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Alexandre Tharaud\u2019s previous exploration of the Baroque repertoire has focused on composers such as Couperin and Rameau, whose music is rarely heard on the modern piano. The tradition of Scarlatti on the piano is much more firmly established \u2013 Vladimir Horowitz, for instance, would often include his music in recitals \u2013 but Tharaud draws inspiration from developments in historically informed [&hellip;]","thumbnail_url":"https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2011\/04\/tharaud250.jpg"}