{"version":"1.0","provider_name":"Piano Street Magazine","provider_url":"https:\/\/www.pianostreet.com\/blog","title":"New Sheet Music: Chopin's Four Scherzi - Piano Street Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Y9SaLyty0W\"><a href=\"https:\/\/www.pianostreet.com\/blog\/site-news\/new-sheet-music-chopins-four-scherzi-3413\/\">New Sheet Music: Chopin&#8217;s Four Scherzi<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pianostreet.com\/blog\/site-news\/new-sheet-music-chopins-four-scherzi-3413\/embed\/#?secret=Y9SaLyty0W\" width=\"600\" height=\"338\" title=\"&#8220;New Sheet Music: Chopin&#8217;s Four Scherzi&#8221; &#8212; Piano Street Magazine\" data-secret=\"Y9SaLyty0W\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pianostreet.com\/blog\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Contrary to their name, the four scherzos are not light-hearted compositions, and the first three, in particular the Scherzo in B minor, have very strong dramatic accents. The first and last make the most of the ternary form, with extreme contrasts between the outer sections, full of restless motion, and the melodious middle episodes. The second and third scherzos shows [&hellip;]","thumbnail_url":"https:\/\/www.pianostreet.com\/search\/images_tn\/png300px\/chopin_scherzo2_op31.png"}