{"id":113,"date":"2008-08-23T12:11:30","date_gmt":"2008-08-23T12:11:30","guid":{"rendered":"http:\/\/www.pianostreet.com\/blog\/?p=113"},"modified":"2009-03-11T00:22:46","modified_gmt":"2009-03-11T00:22:46","slug":"schubert-impromptus-opus-142","status":"publish","type":"post","link":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/","title":{"rendered":"Schubert Impromptus Opus 142"},"content":{"rendered":"<p>Opus 142 (D 935) by Franz Schubert are now available in PS Urtext edition.<\/p>\n<p>This collection of four Impromptus starts and concludes with pieces in the same key (F-minor) which is one of the reasons for the speculations by Robert Schumann that parts of this opus was originally intended as a sonata (although refuted by some contemporary musicologists) but was instead published as separate pieces in order to increase the sales potential.<\/p>\n<p><a href=\"http:\/\/www.pianostreet.com\/piano_sheet_music\/Schubert-289\/Impromptu-op-142-1.html\">Schubert: Impromptu, Opus 142 No 1<\/a><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"\/search\/images_tn\/schubertf\/schubert_impr_op142_no1.gif\" alt=\"Schubert Impromptu op 142 no 1 f-minor\" width=\"300\" height=\"80\" \/>A dramatic, recitativo-like introduction followed by the second theme hidden in a 16th notes texture set us in a mood for a quite large scale piece. The middle section is very peaceful featuring unique pianistic effects. The structure of the first Impromtu can be interpreted as a sonata form without a development section, supporting the view of the four Impromptus Opus 142 as movements of a single sonata.<\/p>\n<p><a href=\"http:\/\/www.pianostreet.com\/piano_sheet_music\/Schubert-290\/Impromptu-op-142-2.html\">Schubert: Impromptu, Opus 142 No 2<\/a><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"\/search\/images_tn\/schubertf\/schubert_impr_op142_no2.gif\" alt=\"Schubert Impromptu op 142 no 1 f-minor\" width=\"300\" height=\"80\" \/><br \/>\nThis well known minuet-like Impromptu has a main section consisting of a simple, well-balanced melody with chordal accompaniment. A D-flat major section featuring an arpeggiated texture forms the Trio (middle section in minuet form).<br \/>\nThe opening bars of the melody are highly reminiscent of a similar theme, from the opening of <a href=\"http:\/\/www.pianostreet.com\/piano_sheet_music\/Beethoven-24\/Sonata-12-op-26-A-flat-Major.html\">Beethoven&#8217;s Sonata op 26.<\/a><\/p>\n<p><a href=\"http:\/\/www.pianostreet.com\/piano_sheet_music\/Schubert-291\/Impromptu-op-142-3.html\">Schubert: Impromptu, Opus 142 No 3<\/a><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"\/search\/images_tn\/schubertf\/schubert_impr_op142_no3.gif\" alt=\"Schubert Impromptu op 142 no 1 f-minor\" width=\"300\" height=\"80\" \/><br \/>\nThe charming third Impromptu is a theme with five variations. Shubert has used this theme twice before, in the incidental music composed for the play Rosamunde (Ch\u00e9zy, 1823) and in the slow movement of his A-minor String Quartet.<\/p>\n<p><a href=\"http:\/\/www.pianostreet.com\/piano_sheet_music\/Schubert-292\/Impromptu-op-142-4.html\">Schubert: Impromptu, Opus 142 No 4<\/a><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"\/search\/images_tn\/schubertf\/schubert_impr_op142_no4.gif\" alt=\"Schubert Impromptu op 142 no 1 f-minor\" width=\"300\" height=\"80\" \/><br \/>\nThe opus concludes with one of Schubert&#8217;s most brilliant and rhytmically vital works, a quick 3\/8 tempo piece containg interesting hemiola effects, virtuosic passagework as well as surprising modulations which take the piece quite far from its main key of F minor.<br \/>\nThe impressive coda influenced by Hungarian rhythms further heightens the drama in this already intense piece which is finished off by an astonishing six octaves descending scale through the entire tonal space.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Opus 142 (D 935) by Franz Schubert are now available in PS Urtext edition. This collection of four Impromptus starts and concludes with pieces in the same key (F-minor) which is one of the reasons for the speculations by Robert Schumann that parts of this opus was originally intended as a sonata (although refuted by some contemporary musicologists) but was [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[46,45],"class_list":["post-113","post","type-post","status-publish","format-standard","hentry","category-site-news","tag-impromptus","tag-schubert"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Schubert Impromptus Opus 142 - Piano Street Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Schubert Impromptus Opus 142 - Piano Street Magazine\" \/>\n<meta property=\"og:description\" content=\"Opus 142 (D 935) by Franz Schubert are now available in PS Urtext edition. This collection of four Impromptus starts and concludes with pieces in the same key (F-minor) which is one of the reasons for the speculations by Robert Schumann that parts of this opus was originally intended as a sonata (although refuted by some contemporary musicologists) but was [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/\" \/>\n<meta property=\"og:site_name\" content=\"Piano Street Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pianostreet\/\" \/>\n<meta property=\"article:published_time\" content=\"2008-08-23T12:11:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2009-03-11T00:22:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pianostreet.com\/search\/images_tn\/schubertf\/schubert_impr_op142_no1.gif\" \/>\n<meta name=\"author\" content=\"henrik\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@piano_street\" \/>\n<meta name=\"twitter:site\" content=\"@piano_street\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"henrik\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"NewsArticle\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/\"},\"author\":{\"name\":\"henrik\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#\\\/schema\\\/person\\\/5805fe23e997f4c4068099ef3c3fbbbf\"},\"headline\":\"Schubert Impromptus Opus 142\",\"datePublished\":\"2008-08-23T12:11:30+00:00\",\"dateModified\":\"2009-03-11T00:22:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/\"},\"wordCount\":321,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#organization\"},\"keywords\":[\"impromptus\",\"schubert\"],\"articleSection\":[\"Piano Street Site News\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/\",\"url\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/\",\"name\":\"Schubert Impromptus Opus 142 - Piano Street Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#website\"},\"datePublished\":\"2008-08-23T12:11:30+00:00\",\"dateModified\":\"2009-03-11T00:22:46+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/schubert-impromptus-opus-142-113\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Schubert Impromptus Opus 142\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/\",\"name\":\"Piano Street Magazine\",\"description\":\"- your guide to the classical piano world\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#organization\",\"name\":\"Piano Street\",\"url\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/wp-content\\\/uploads\\\/2022\\\/03\\\/piano-street-logo.jpg\",\"contentUrl\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/wp-content\\\/uploads\\\/2022\\\/03\\\/piano-street-logo.jpg\",\"width\":317,\"height\":140,\"caption\":\"Piano Street\"},\"image\":{\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/pianostreet\\\/\",\"https:\\\/\\\/x.com\\\/piano_street\",\"https:\\\/\\\/www.instagram.com\\\/pianostreet_com\\\/\",\"https:\\\/\\\/www.pinterest.com\\\/pianostreet\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#\\\/schema\\\/person\\\/5805fe23e997f4c4068099ef3c3fbbbf\",\"name\":\"henrik\",\"url\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/author\\\/henriks\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Schubert Impromptus Opus 142 - Piano Street Magazine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/","og_locale":"en_US","og_type":"article","og_title":"Schubert Impromptus Opus 142 - Piano Street Magazine","og_description":"Opus 142 (D 935) by Franz Schubert are now available in PS Urtext edition. This collection of four Impromptus starts and concludes with pieces in the same key (F-minor) which is one of the reasons for the speculations by Robert Schumann that parts of this opus was originally intended as a sonata (although refuted by some contemporary musicologists) but was [&hellip;]","og_url":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/","og_site_name":"Piano Street Magazine","article_publisher":"https:\/\/www.facebook.com\/pianostreet\/","article_published_time":"2008-08-23T12:11:30+00:00","article_modified_time":"2009-03-11T00:22:46+00:00","og_image":[{"url":"https:\/\/www.pianostreet.com\/search\/images_tn\/schubertf\/schubert_impr_op142_no1.gif","type":"","width":"","height":""}],"author":"henrik","twitter_card":"summary_large_image","twitter_creator":"@piano_street","twitter_site":"@piano_street","twitter_misc":{"Written by":"henrik","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"NewsArticle","@id":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/#article","isPartOf":{"@id":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/"},"author":{"name":"henrik","@id":"https:\/\/www.pianostreet.com\/blog\/#\/schema\/person\/5805fe23e997f4c4068099ef3c3fbbbf"},"headline":"Schubert Impromptus Opus 142","datePublished":"2008-08-23T12:11:30+00:00","dateModified":"2009-03-11T00:22:46+00:00","mainEntityOfPage":{"@id":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/"},"wordCount":321,"commentCount":0,"publisher":{"@id":"https:\/\/www.pianostreet.com\/blog\/#organization"},"keywords":["impromptus","schubert"],"articleSection":["Piano Street Site News"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/","url":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/","name":"Schubert Impromptus Opus 142 - Piano Street Magazine","isPartOf":{"@id":"https:\/\/www.pianostreet.com\/blog\/#website"},"datePublished":"2008-08-23T12:11:30+00:00","dateModified":"2009-03-11T00:22:46+00:00","breadcrumb":{"@id":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.pianostreet.com\/blog\/site-news\/schubert-impromptus-opus-142-113\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.pianostreet.com\/blog\/"},{"@type":"ListItem","position":2,"name":"Schubert Impromptus Opus 142"}]},{"@type":"WebSite","@id":"https:\/\/www.pianostreet.com\/blog\/#website","url":"https:\/\/www.pianostreet.com\/blog\/","name":"Piano Street Magazine","description":"- your guide to the classical piano world","publisher":{"@id":"https:\/\/www.pianostreet.com\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.pianostreet.com\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.pianostreet.com\/blog\/#organization","name":"Piano Street","url":"https:\/\/www.pianostreet.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.pianostreet.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/03\/piano-street-logo.jpg","contentUrl":"https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/03\/piano-street-logo.jpg","width":317,"height":140,"caption":"Piano Street"},"image":{"@id":"https:\/\/www.pianostreet.com\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/pianostreet\/","https:\/\/x.com\/piano_street","https:\/\/www.instagram.com\/pianostreet_com\/","https:\/\/www.pinterest.com\/pianostreet\/"]},{"@type":"Person","@id":"https:\/\/www.pianostreet.com\/blog\/#\/schema\/person\/5805fe23e997f4c4068099ef3c3fbbbf","name":"henrik","url":"https:\/\/www.pianostreet.com\/blog\/author\/henriks\/"}]}},"_links":{"self":[{"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/posts\/113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/comments?post=113"}],"version-history":[{"count":26,"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/posts\/113\/revisions"}],"predecessor-version":[{"id":808,"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/posts\/113\/revisions\/808"}],"wp:attachment":[{"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/media?parent=113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/categories?post=113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pianostreet.com\/blog\/wp-json\/wp\/v2\/tags?post=113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}