{"id":11684,"date":"2022-05-14T18:01:30","date_gmt":"2022-05-14T18:01:30","guid":{"rendered":"https:\/\/www.pianostreet.com\/blog\/?p=11684"},"modified":"2022-05-14T18:09:55","modified_gmt":"2022-05-14T18:09:55","slug":"the-world-of-piano-competitions-issue-1-2022","status":"publish","type":"post","link":"https:\/\/www.pianostreet.com\/blog\/site-news\/the-world-of-piano-competitions-issue-1-2022-11684\/","title":{"rendered":"The World of Piano Competitions &#8211; issue 1 2022"},"content":{"rendered":"<p><strong>As a collaborating partner <a href=\"https:\/\/www.pianostreet.com\">Piano Street<\/a> is proud to present the seventh issue of <a href=\"https:\/\/www.pianostreet.com\/The-World-of-Piano-Competitions-issue-1-2022.pdf\" rel=\"noopener\" target=\"_blank\">The World of Piano Competitions<\/a>, a magazine initiated by <a href=\"http:\/\/www.pianist-magazin.de\" rel=\"noopener\" target=\"_blank\">PIANIST Magazine<\/a> (Netherlands and Germany) and its Editor-in-Chief Eric Schoones. Here we get a rich insight into the world of international piano competitions through the eyes of its producers and participants. <\/strong><\/p>\n<p><em>Click cover to download:<\/em><\/p>\n<p><a href=\"https:\/\/www.pianostreet.com\/The-World-of-Piano-Competitions-issue-1-2022.pdf\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/05\/WOPC-1-2022-cover.jpg\" alt=\"\" width=\"1200\" height=\"1545\" class=\"alignleft size-full wp-image-11686\" srcset=\"https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/05\/WOPC-1-2022-cover.jpg 1200w, https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/05\/WOPC-1-2022-cover-233x300.jpg 233w, https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/05\/WOPC-1-2022-cover-795x1024.jpg 795w, https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/05\/WOPC-1-2022-cover-768x989.jpg 768w, https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/05\/WOPC-1-2022-cover-1193x1536.jpg 1193w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<p>Contributing Editors: Gustav Alink (Alink-Argerich Foundation), Gerrit Glaner (Steinway), Patrick Jovell (Piano Street), Florian Riem (WFIMC).<\/p>\n<h2>Free download!<\/h2>\n<p>Piano Street is happy to share the seventh issue of WOPC with our readers free of charge: <a href=\"https:\/\/www.pianostreet.com\/The-World-of-Piano-Competitions-issue-1-2022.pdf\">The-World-of-Piano-Competitions-issue-1-2022.pdf<\/a><\/p>\n<p><strong>Interviews<\/strong><br \/>\nMart\u00edn Garc\u00eda Garc\u00eda | Dedication to Chopin<br \/>\nPavel Gililov | Finding the truth<br \/>\nYaron Kohlberg | A dual mission<br \/>\nFrederic Chiu | The subjective and the objective<br \/>\nCompetition Report<br \/>\nMaria Canals Competition Barcelona<br \/>\nGrand Prix Animato Chopin 2021 \u2013 Paris<\/p>\n<p><strong>In Profile<\/strong><br \/>\nARD International Music Competition Munich<br \/>\nTelekom Beethoven Competition Bonn<br \/>\nInternational Piano Forum Frankfurt<br \/>\nCleveland International Piano Competition<br \/>\nSchimmel International Piano Competition<br \/>\nInternational Hans von B\u00fclow Competition Meiningen<br \/>\nNews | Ian Fountain &#038; Schubert<br \/>\nLiszt Utrecht<br \/>\nLjubljana Festival International Piano Competition<br \/>\nGocaa San Francisco International Music Competition<\/p>\n<p><strong>Behind the Scenes<\/strong><br \/>\nAlink-Argerich Foundation International Conference<br \/>\nWFIMC Pianocompetitions on five continents<br \/>\nTwenty Years of Piano Online<br \/>\nSteinway Prizewinner Concert Network | Tradition close-up<br \/>\nPalace of music<br \/>\nAlexander Gavrylyuk | The gentle culture<\/p>\n<p><strong>The Piano<\/strong><br \/>\nPianists and Piano Brands \u2013 Mutual Love, Admiration and Fascination<br \/>\nThe World&#8217;s Largest Dedicated Flagship Retail Showroom<\/p>\n<hr \/>\n<h2>Background<\/h2>\n<p>The piano enjoys a tremendous popularity worldwide and has the universal quality to be able to communicate through cultures, history and geographical borders. The value of piano competitions cannot be overestimated in terms of focus on the piano as an instrument and piano playing.  The competition industry engages a multiplicity of concerns including hi-end piano manufacturing, media coverage and broadcast, repertoire spotlight and pedagogy, concert and lecture production and not least, career opportunity and exposure for laureates and non-laureates. All this contributes to a richer cultural life and can powerfully promote the aim we all share: to spread the joy and riches of the art of piano playing. <\/p>\n<p><em>\u201dPiano music, especially live, is incomparable and can be a great source of joy for players and listeners. We all should strive to allow as many people benefit from it as possible. For that, this edition of The World of Piano Competition is an excellent form of encouragement. I hope its message spreads widely! I wish everyone much joy reading it and, later on, attending a concert!\u201d<\/em><br \/>\n&#8212; Guido Zimmermann, President Steinway &#038; Sons Europe<\/p>\n<p>THE WORLD OF PIANO COMPETITIONS<br \/>\nis published twice a year by PIANIST, as a part of the regular edition, and also worldwide as a separate magazine.<\/p>\n<p>PIANIST (regular edition) is published four times a year in Germany, Austria, Switzerland, Luxemburg, Liechtenstein, the Netherlands and Belgium.<br \/>\n<a href=\"http:\/\/www.pianist-magazin.de\">www.pianist-magazin.de<\/a><br \/>\n<a href=\"http:\/\/www.pianistmagazine.nl\">www.pianistmagazine.nl<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As a collaborating partner Piano Street is proud to present the seventh issue of The World of Piano Competitions, a magazine initiated by PIANIST Magazine (Netherlands and Germany) and its Editor-in-Chief Eric Schoones. Here we get a rich insight into the world of international piano competitions through the eyes of its producers and participants. Click cover to download: Contributing Editors: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-11684","post","type-post","status-publish","format-standard","hentry","category-site-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The World of Piano Competitions - issue 1 2022 - Piano Street Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pianostreet.com\/blog\/site-news\/the-world-of-piano-competitions-issue-1-2022-11684\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The World of Piano Competitions - issue 1 2022 - Piano Street Magazine\" \/>\n<meta property=\"og:description\" content=\"As a collaborating partner Piano Street is proud to present the seventh issue of The World of Piano Competitions, a magazine initiated by PIANIST Magazine (Netherlands and Germany) and its Editor-in-Chief Eric Schoones. Here we get a rich insight into the world of international piano competitions through the eyes of its producers and participants. Click cover to download: Contributing Editors: [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pianostreet.com\/blog\/site-news\/the-world-of-piano-competitions-issue-1-2022-11684\/\" \/>\n<meta property=\"og:site_name\" content=\"Piano Street Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pianostreet\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-14T18:01:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-05-14T18:09:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pianostreet.com\/blog\/wp-content\/uploads\/2022\/05\/WOPC-1-2022-cover.jpg\" \/>\n<meta name=\"author\" content=\"nilsjohan\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@piano_street\" \/>\n<meta name=\"twitter:site\" content=\"@piano_street\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"nilsjohan\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"NewsArticle\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/the-world-of-piano-competitions-issue-1-2022-11684\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/site-news\\\/the-world-of-piano-competitions-issue-1-2022-11684\\\/\"},\"author\":{\"name\":\"nilsjohan\",\"@id\":\"https:\\\/\\\/www.pianostreet.com\\\/blog\\\/#\\\/schema\\\/person\\\/6a6b1e0d184494bd2ec344da7c55bba4\"},\"headline\":\"The World of Piano Competitions &#8211; 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