{"id":13762,"date":"2025-11-21T10:33:01","date_gmt":"2025-11-21T10:33:01","guid":{"rendered":"https:\/\/www.pianostreet.com\/blog\/?p=13762"},"modified":"2025-11-25T12:06:33","modified_gmt":"2025-11-25T12:06:33","slug":"italian-focus-at-cremona-musica-2025","status":"publish","type":"post","link":"https:\/\/www.pianostreet.com\/blog\/articles\/italian-focus-at-cremona-musica-2025-13762\/","title":{"rendered":"Italian Focus at Cremona Musica Piano Experience 2025"},"content":{"rendered":"

At the end of September, the annual Cremona Musica exhibition – a significant global event – took place, offering new insights into the music industry. As a member of the Media Lounge, Piano Street is again pleased to provide a pianistic perspective on key events.<\/span><\/p>\n

\"\"<\/p>\n

Every autumn, the historic city of Cremona – long celebrated as the cradle of violin making – transforms into a vibrant hub for musicians, instrument makers, and music lovers from around the world. Cremona Musica, held across three expansive exhibition halls at Cremona Fiere, offers a rich panorama of musical artistry and craftsmanship. The fair\u2019s major sections – Piano Experience, Cremona Winds, and Mondomusica – span the full spectrum of musical expression, from the elegance of concert grands to the intricacies of string and wind instruments.<\/p>\n

Beyond the exhibition floors, music spills into the streets and courtyards of Cremona\u2019s historic center. Outdoor performances and special concerts bring life to the city\u2019s squares and landmarks, blending the fair\u2019s professional energy with the charm of Italy\u2019s most musical city. Over three days, visitors experience an astonishing variety of activity: 400 exhibitors from 35 countries present their latest creations and innovations, while an ambitious program of more than 200 events fills every hour with sound and discovery.<\/p>\n

The schedule reads like a festival in itself – concerts by notable artists, masterclasses with renowned teachers, round tables exploring the future of music, and presentations that spotlight new technologies and craftsmanship. Whether it\u2019s a student trying instruments, a professional networking with peers, or an aficionado listening to a recital, this event offers something for everyone.<\/p>\n

In an age increasingly dominated by screens and streaming, Cremona Musica stands as a reminder that music is still best experienced live, shared, and human. It\u2019s not just a fair – it\u2019s a celebration of sound, skill, and community, where commerce meets culture in the most harmonious way. Artistic coordinator Roberto Prosseda emphasized the fair\u2019s unique ability to foster community, noting that sharing meals, hearing live music, and forming personal connections are experiences that digital platforms can never truly replace.<\/p>\n

\"\"<\/p>\n

Cremona Musica Awards<\/h2>\n

The cultural committee of Cremona Musica International Exhibitions and Festival has announced the recipients of this year\u2019s Cremona Musica Awards, a distinction established in 2014 to celebrate individuals and institutions that have made outstanding contributions to the world of music.
\nThis year\u2019s laureates represent a broad and inspiring cross-section of musical artistry.
\nThe Imola Piano Academy, together with its founder Franco Scala, was presented with the \u201cProject\u201d award, celebrating decades of dedication to nurturing young pianists and shaping the next generation of performers. Rounding out this year\u2019s honors, pianist Bruno Canino received the prestigious \u201cA Life for the Piano\u201d award, a fitting tribute to his immense artistic influence, lifelong devotion to music, and extraordinary career spanning over six decades.
\nThe legendary violinist Midori received the \u201cString Performance\u201d award, recognizing not only her impeccable technical mastery but also her long-standing humanitarian commitment to music education and community outreach around the globe. Composer Francesco Filidei was honored for the bold innovation and expressive depth of his recent works, which continue to push the boundaries of contemporary composition.<\/p>\n

\"\"<\/p>\n

Piano Performances<\/h2>\n

\"\"Among the standout moments was a recital by Ruben Micieli, whose passionate reading of Chopin offered a glimpse of his artistry ahead of his participation in the forthcoming Chopin Competition in Warsaw. Also Filippo Tenisci\u2019s project and recital \u201cReimagining Wagner\u201d – with transcriptions of Wagner by Liszt – brought great value to any fortunate listener.
\nCompelling was the appearance of young pianists from the Rovigo Conservatory\u2019s Ph. D. program, performing in collaboration with the Mendelssohn Association. Their programs, dedicated to Italian piano music, featured rarely heard works by Castelnuovo-Tedesco, Ricordi, Golinelli, Respighi, and several rediscovered gems by Pizzetti, Montemezzi,and Pilati – composers whose contributions had long slipped from the concert repertoire. <\/p>\n

Chopin\u2019s Piano Concertos Reimagined for Piano and String Quintet<\/h2>\n

Cremona Musica presented an intimate reinterpretation of Fryderyk Chopin\u2019s piano concertos, performed in their rare transcriptions for piano and string quintet. The programme featured Luigi Carroccia in the Concerto No. 1 in E minor, Op. 11, and Francesca Antonucci in the Concerto No. 2 in F minor, Op. 21, accompanied by the Quartetto Dor\u00e9and and double bassist Edoardo Dolci.<\/p>\n

Supported by the Walter Stauffer Academy, the performance highlighted the concertos\u2019 chamber-like clarity, revealing new colours and expressive nuances within Chopin\u2019s Romantic language. This unique arrangement offered audiences a fresh, introspective perspective on two of the composer\u2019s most beloved masterpieces.<\/p>\n

\"\"<\/p>\n

PianoLink International Amateurs Piano Competition 2025<\/h2>\n

Included in the program, Cremona Musica let the finals of the 2025 edition of PianoLink International Amateurs Piano Competition took place at the famous Ponchielli Theatre in Cremona (where even W. A. Mozart performed). The distinguished jury included: Alessandro Deljavan, Bruno Monsaingeon and Muza Rubackyte.
\n12 finalists were selected by an international jury. Founded to bridge the gap between amateurs and maestros, PianoLink continues its mission to make advanced musical education accessible to all who share a passion for the piano.
\nThe sixth edition of the competition concluded with Cheuk Hin Ivan Wong of Hong Kong taking the overall prize. The general category winners were Marco Cima and Nicola Ormando (Italy), Robert Finley (USA), and Ken Iisika (Japan). The Audience Award went to Tomoko Inoue of Japan.<\/p>\n

\"\"<\/p>\n

\u201cThis competition, born in 2020 from a visionary idea hidden in PianoLink\u2019s archives, has shown for six years that amateurs are the true protagonists of the musical world,\u201d said PianoLink director Filippo Vizzini, noting that \u201cthanks to partners like Fazioli and Cremona Musica, we welcomed participants from four continents this year. The overall winner from Hong Kong brings us great joy and pride.\u201d<\/p>\n

Disklavier Day<\/h2>\n

A major highlight was the international roundtable on the future of hybrid piano teaching, centered on the innovative capabilities of Yamaha\u2019s Disklavier technology.
\nOrganized with the support of the Modena Conservatory, a partner in the PNRR Edunext \u2013 Next Education Italia and Turandot projects, the event brought together educators, researchers, and artists from leading institutions across Italy, the United States, Germany, Vietnam, Australia, and China to discuss the pedagogical, technological, and cultural implications of remote piano instruction.
\nPanelists included Prof. Roberto Prosseda (Conservatory of Rovigo), Prof. Giuseppe Modugno (Conservatory of Modena), Prof. Christoph Sischka (Freiburg University of Music), Prof. Yon Seen Lee (YSL Music School and WAAPA University), and Prof. Elyane Laussade (Melbourne Sinfonia). Joining remotely are Prof. Wang Qiu (China Conservatory of Music) and Prof. Kuei Pin Yeo (Jakarta Music Foundation).<\/p>\n

\"\"<\/p>\n

The session featured live demonstrations of remote piano lessons connecting Cremona with Perth (Australia) and Beijing (China), illustrating the precision and immediacy of Disklavier\u2019s technology. Lisa Yui from Yamaha Artist Services New York lead a remote masterclass with a student performing live in Cremona.
\nIn the afternoon, composers Ardavan Vossoughi and Alessio Santolini Raggi presented new creative projects exploring how Disklavier technology expands possibilities for performance, composition, and interactive musical collaboration.<\/p>\n

A Biography of Charles-Valentin Alkan<\/h2>\n

\"\"Pianist and scholar Vincenzo Maltempo presented the new reprint of his acclaimed biography on Charles-Valentin Alkan, published by Florestano Edizioni. Maltempo is widely recognized as one of the foremost interpreters and researchers of the reclusive French composer, whose technically demanding works remain among the most original of the Romantic era.<\/p>\n

This book, the first of its kind in Italy, invites readers to rediscover Alkan through a comprehensive biography and a full exploration of his works. Its aim is not only to provide the foundation for an engaging journey into a neglected genius, but also to spark new research and encourage a richer, more informed discussion around his extraordinary legacy.
\nDuring the event, Maltempo performed selections from Alkan\u2019s compositions, illustrating the depth and complexity of the composer\u2019s music.<\/p>\n

\"\"<\/p>\n

The Enigma of Arturo Benedetti Michelangeli<\/h2>\n

Thirty years after his death, Arturo Benedetti Michelangeli (1920\u20131995) remains one of the most mysterious and revered figures in classical music.<\/p>\n

Musicologist and broadcaster Luca Ciammarughi presented and explored the deeper meaning of Michelangeli\u2019s art, moving beyond the stereotype of perfectionism to reveal an artist of profound emotional intensity and inner conflict. The author discussed the book with Filippo Michelangeli, creator and director of the Pentagrammi series, which debuts with this publication.<\/p>\n

\n

Stay tuned for more articles and interviews from Cremona Musica 2025 in Piano Street\u2019s article flow!<\/p>\n","protected":false},"excerpt":{"rendered":"

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Every autumn, the historic city of Cremona – long celebrated as the cradle of violin […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-13762","post","type-post","status-publish","format-standard","hentry","category-articles"],"yoast_head":"\nItalian Focus at Cremona Musica Piano Experience 2025 - Piano Street Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pianostreet.com\/blog\/articles\/italian-focus-at-cremona-musica-2025-13762\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Italian Focus at Cremona Musica Piano Experience 2025 - Piano Street Magazine\" \/>\n<meta property=\"og:description\" content=\"At the end of September, the annual Cremona Musica exhibition – a significant global event – took place, offering new insights into the music industry. 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