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Alexandre Tharaud\u2019s previous exploration of the Baroque repertoire has focused on composers such as Couperin and Rameau, whose music is rarely heard on the modern piano. The tradition of Scarlatti on the piano is much more firmly established \u2013 Vladimir Horowitz, for instance, would often include his music in recitals \u2013 but Tharaud draws inspiration from developments in historically informed performance over the past 30 years. As he told the French magazine T\u00e9l\u00e9rama: \u201cI am not sure that authenticity is conferred by a specific instrument, but rather in the way new life is imbued into this music\u2026 Baroque musicians have taught us to approach tempi and ornamentation with a sense of freedom, even audacity.\u201d<\/p>\n
\u201cI love the extravagance, the sunny glow, the light touch of Scarlatti,\u201d says French pianist Alexandre Tharaud, whose second Virgin Classics release is a collection of the composer\u2019s captivating and adventurous keyboard sonatas. His first release, the Chopin recital Journal intime was described by The Guardian as \u201caltogether breathtakingly beautiful\u201d.<\/p>\n
“Tharaud’s choices make for an exhilarating rollercoaster ride between dizzying feats of heady bravura and more gentle moments where introspection and quasi-operatic cantabile playing are required. […] The spirit of dance and song is never far from Scarlatti’s music, and Tharaud relishes the rhythmic and melodic riches here. His choices are refreshingly offbeat […] The playing and musicianship of this young Frenchman are dazzling throughout.” (The Sunday Times)<\/p>\n
International Piano’s CHOICE: “He makes full use of the piano’s dynamic range and depth of colour to bring out the extraordinary variety of Scarlatti’s imagination and the disc fairly bristles with wit, intelligence and striking modernity.” <\/p>\n
Hear Tharaud play and talk about his Scarlatti release:<\/p>\n