{"id":6004,"date":"2013-05-24T13:18:03","date_gmt":"2013-05-24T13:18:03","guid":{"rendered":"http:\/\/www.pianostreet.com\/blog\/?p=6004"},"modified":"2013-05-27T22:40:02","modified_gmt":"2013-05-27T22:40:02","slug":"more-is-more-and-the-art-of-perfection-master-piano-technician-peter-salisbury-turns-a-steinway-into-two","status":"publish","type":"post","link":"https:\/\/www.pianostreet.com\/blog\/articles\/more-is-more-and-the-art-of-perfection-master-piano-technician-peter-salisbury-turns-a-steinway-into-two-6004\/","title":{"rendered":"More is More and The Art of Perfection – Master Piano Technician Peter Salisbury Turns a Steinway Into Two"},"content":{"rendered":"

Rumors circulating in the recording industry tell of a famous piano technician who has introduced a new innovation: Turn a Steinway D into two! How could this be possible? Piano Street\u00b4s Patrick Jovell decided to go to South Bank Centre in London in order to find out. <\/p>\n

\"Peter

Peter Salisbury among the instruments at Southbank Centre, London.<\/p><\/div>\n

The world regards Peter Salisbury as one of the finest piano technicians today. He has worked in the piano industry for more than 33 years and has collaborated with pianists like Brendel, Barenboim, Kissin, Demidenko, Andsnes, Kovacevich and Hamelin. Many of his recording projects have received awards. He also earned the contract for concert tuning and maintenance at London\u2019s South Bank Centre. There, he is responsible for overseeing the widely renowned International Piano Series<\/a>.<\/p>\n

Patrick Jovell: What is a Steinway with Double Action?<\/em><\/p>\n

Peter Salisbury: It is an instrument specifically prepared for two different sets of actions. These two sets are instantly interchangeable. Most pianists get a feel for the tone through what they hear. Some do not even realise that this was the way the tuners prepared the instrument. For example, pianist John Lill was happy with the instrument he tried when he was here. We had to persuade him to try the second action, and he was utterly shocked at what he heard from the piano! He told us he could not believe it was the same instrument.<\/p>\n

I know which of the two actions to show pianists. I know how they play and what they need. Therefore, I have set up certain criteria based on my experience regarding certain pianists. It also matters in which concert venue these pianists will play. We have both the Royal Festival Hall and Queen Elisabeth Hall. An amateur will not hear any difference based on the acoustics in either hall, but the professional knows what will work in each environment.<\/p>\n

\"Peter

Peter removing the first action for an instant switch.<\/p><\/div>\n

My experience has also taught me this: Whenever a pianist is able to sit down and play without thinking about how he or she is doing it, the music just happens. If the pianist overthinks everything, his or her inspiration suffers. We aim to ensure that the tone each pianist wants simply leaps from the instrument. We do not want the performer to need to think unnecessarily about it. I have found that most performers prefer one action of the double Steinway or the other. As long as I have helped the performer find the proper sound by manipulating the voicing and regulation, I have done my job properly!<\/p>\n

PJ: How can the Double Action facilitate for the performer?<\/em><\/p>\n

PS: We have deliberately prepared our set of instruments for any contingency. Through research, we know what all different types of pianists will seek. We have it all covered. Pianists do not sound the same. In that way, the Double Action supports a new way of thinking; you can even choose to play the second half of a recital with a totally different sound. This allows the performer to choose a different sound for different composers. Certain colors for certain types of music become available, creating a platform for those magical moments that are so rare and only happens in great performances.<\/p>\n

\"The

The second action waiting to be installed.<\/p><\/div>\n

For example, listen to Benjamin Grosvenors\u00b4s latest album<\/a> that includes piano concertos by Gershwin, Ravel and Saint-Sa\u00ebns.<\/p>\n

We have used different actions in different movements here to get the optimal sound. Benjamin knew which nuances he wanted to get from the instrument. The best part is that he did not have to fight to get it!<\/p>\n

Benjamin Grosvenor, Double Action Steinway Recording:
\nAmazon sampler<\/a><\/p>\n

\"First

First action safely placed in its wooden box.<\/p><\/div>\n

PJ: Tell me about the instruments you have here at the South Bank Centre. Which instruments have Double Action?<\/em><\/p>\n

PS: We have ten concert instruments in our fleet here: two Yamaha CFXs, one B\u00f6sendorfer and seven Steinway Ds. After contemplating it for years, we decided to go ahead with Double Action and had tremendous success in the Royal Festival Hall. Two Steinways now have Double Action capacity, and we are currently outfitting a third. You might be interested in knowing this; two days from now, in a recital, Krystian Zimerman is going to play the same Double Action Steinway D that you tried out. He will reap the benefits of the Double Action innovation.<\/p>\n

\"Piano

Piano Street's Patrick Jovell trying the Double Action Steinway D on stage at Queen Elisabeth Hall.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Rumors circulating in the recording industry tell of a famous piano technician who has introduced a new innovation: Turn a Steinway D into two! How could this be possible? Piano Street\u00b4s Patrick Jovell decided to go to South Bank Centre in London in order to find out. The world regards Peter Salisbury as one of the finest piano technicians today. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-6004","post","type-post","status-publish","format-standard","hentry","category-articles"],"yoast_head":"\nMore is More and The Art of Perfection - Master Piano Technician Peter Salisbury Turns a Steinway Into Two - Piano Street Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pianostreet.com\/blog\/articles\/more-is-more-and-the-art-of-perfection-master-piano-technician-peter-salisbury-turns-a-steinway-into-two-6004\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"More is More and The Art of Perfection - Master Piano Technician Peter Salisbury Turns a Steinway Into Two - Piano Street Magazine\" \/>\n<meta property=\"og:description\" content=\"Rumors circulating in the recording industry tell of a famous piano technician who has introduced a new innovation: Turn a Steinway D into two! 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