{"id":8704,"date":"2017-06-08T13:14:13","date_gmt":"2017-06-08T13:14:13","guid":{"rendered":"https:\/\/www.pianostreet.com\/blog\/?p=8704"},"modified":"2017-06-10T12:48:01","modified_gmt":"2017-06-10T12:48:01","slug":"whats-new-in-the-cliburn-2017","status":"publish","type":"post","link":"https:\/\/www.pianostreet.com\/blog\/piano-news\/whats-new-in-the-cliburn-2017-8704\/","title":{"rendered":"What’s New in The Cliburn 2017?"},"content":{"rendered":"

The final round of quadrennial Van Cliburn Competition kicked off on Monday. This year, there have been a few changes in the competition. There was and will be, of course, plenty of aggressive and loud playing. There will be technical brilliance and a certain flair. One might hope that there would also be some introspective greatness, too, but “lots of notes” win competitions, not emotional development. In other words, there is a ton of Liszt and not much Schubert. One of the new developments this year was the addition of a quarterfinal round. In previous years, there were just the preliminaries, the semifinals, and the finals. <\/strong><\/p>\n

The competition has moved into the 21st century. There are simulcasts on the competition\u2019s website and the French classical music website medici.tv. The proceedings are translated into French, Russian, and Mandarin, and the live coverage reaches into previously unexplored corners of Asia. Greg Anderson and Elizabeth Joy Roe host the festivities. <\/p>\n

\"cliburn2017\"<\/p>\n

In the past, the contest was terrifically grueling and seemed to reward sheer stamina rather than musicianship or eloquence. This new lineup looked better all the way around for the competitors.The CEO of the Cliburn Foundation, Jacques Marquis, said he is a big fan of classical concertos. Particularly with Mozart, there is no place to hide, he maintained. Beethoven concertos were judged to be romantic rather than classical, so they were limited to the final rounds. When it comes to the chamber music, its small and intimate collection of partnerships showcase a competitor\u2019s musical maturity beyond sheer bombast. Besides, the “big guns” will invariably come out in the Finals. The usual suspects of Brahms, Tchaikovsky, Rachmaninoff, and Prokofiev are bound to be showcased. Another change from previous years is that the judges were almost all new. In the past, the judges would be nearly the same as the last time. Only Joseph Kalichstein remained from the 2013 panel. A fresh perspective led the competition in exciting directions where others had feared to tread. This year\u2019s jury includes: Joseph Kalichstein, Marc-Andr\u00e9 Hamelin, Amaldo Cohen, Anne-Marie McDermott, Alexander Toradze, Christopher Elton, Mari Kodama and Erik T. Tawaststjerna. These judges encompass the world because their homelands range from Japan to Finland. It is of significance that Yoheved Kaplinsky was not on this year\u2019s panel. Her students have won multiple prizes in Cliburn competitions past, which gave rise to whispers about conspiracies worthy of Russian figure-skating judges. Although nothing was ever proven, this year\u2019s organizers wanted no appearance of impropriety.<\/p>\n

New Exposures<\/h2>\n

The medal winners receive something greater than a mere monetary prizes. Each of the top three will have access to career management services for three years. They will also have concerts booked for them, and for the first time, their performances will be released on CDs produced by Universal Music Group. The second and third-place winners will go on American tours while the grand prize winner will also tour Europe and Asia.<\/p>\n

Finalists:<\/p>\n

Georgy Tchaidze (Russia)
\nKenneth Broberg (United States)
\nDaniel Hsu (United States)
\nRachel Cheung (Hong Kong)
\nYury Favorin (Russia)
\nYekwon Sunwoo (South Korea)<\/p>\n

\"cliburn<\/p>\n

Here’s a breakdown of the new 2017 Cliburn:<\/p>\n

Preliminary Round (May 25-28):<\/strong> <\/p>\n

\u2022 45-minute recital from each competitor
\n\u2022 Must include a newly commissioned work by composer Marc-Andr\u00e9 Hamelin
\n\u2022 20 quarterfinalists chosen<\/p>\n

Quarterfinal Round (May 29 and 30): <\/strong><\/p>\n

\u2022 Second 45-minute recital
\n\u2022 No piece requirements
\n\u2022 12 semifinalists chosen<\/p>\n

Semifinal Round (June 1-5): <\/strong><\/p>\n

\u2022 60-minute recital
\n\u2022 Mozart concerto with the Fort Worth Symphony Orchestra, conducted by Nicholas McGegan.
\n\u2022 Piano quintet no longer required
\n
\nFinal Round (June 7-10): <\/strong><\/p>\n

\u2022 Piano quartet with the Brentano String Quartet
\n\u2022 Any piano concerto of the competitor\u2019s choice
\n\u2022 Fort Worth Symphony conducted by Leonard Slatkin this time<\/p>\n

Live Webcast<\/a><\/p>\n

Enjoy the Replay Archive<\/a><\/p>\n

Further reading:
\nLeonard Slatkin: Should music be a competition?<\/a>
\nMeet The Cliburn CEO, Jacques Marquis<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The final round of quadrennial Van Cliburn Competition kicked off on Monday. This year, there have been a few changes in the competition. There was and will be, of course, plenty of aggressive and loud playing. There will be technical brilliance and a certain flair. One might hope that there would also be some introspective greatness, too, but “lots of […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-8704","post","type-post","status-publish","format-standard","hentry","category-piano-news"],"yoast_head":"\nWhat's New in The Cliburn 2017? - Piano Street Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pianostreet.com\/blog\/piano-news\/whats-new-in-the-cliburn-2017-8704\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What's New in The Cliburn 2017? - Piano Street Magazine\" \/>\n<meta property=\"og:description\" content=\"The final round of quadrennial Van Cliburn Competition kicked off on Monday. 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