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Piano Board => Repertoire => Topic started by: greyrune on August 16, 2004, 06:11:23 PM

Title: chopin nocturne Bb minor
Post by: greyrune on August 16, 2004, 06:11:23 PM
i was just wondering what grade level the nocturne in Bb minor op9 no1 is.  I know you guys don't always put much weight on grades but i need to know for my entrance to university.  Personally i don't quite see the point either.  I guess they are a usefull measuring stick but it seems hard to classify certain peices.  Anyway if anyone knows that'd be really handy, cheers
Title: Re: chopin nocturne Bb minor
Post by: bernhard on August 16, 2004, 07:11:10 PM
Around grade 8 (ABRSM).
Title: Re: chopin nocturne Bb minor
Post by: hiline on July 29, 2006, 04:30:24 PM
Around grade 8 (ABRSM).


Grade 8? What makes it so hard? 
Title: Re: chopin nocturne Bb minor
Post by: thalbergmad on July 29, 2006, 05:42:49 PM
I guess that this piece sounds easy, but is far from easy to play.

When i learnt it, i struggled with 11 notes in the right hand against 6 in the left and 22 against 12. That was until my teacher introduced me to his world famous "nice cup of tea" theory.

In addition to play the legato octaves in the right hand smoothly is not easy.

Must be grade 8.

Thal
Title: Re: chopin nocturne Bb minor
Post by: desordre on July 29, 2006, 07:34:32 PM
 Dear Greyrune:
 I mostly agree with Mr(or mrs) Thalbergmad:
I guess that this piece sounds easy, but is far from easy to play.(...)
And the main problem (the forementioned x against y) relies on the very concept of rubato. If you look at the lower staff, you'll notice that it's always the same thing but the last three  measures. However, the upper one has a very smooth, gently flowing melody, that must "sing" over that ground. How do you play that? The steadiest LH you can and the most cantabile RH you can.
 Why am I writing about this? Just to tell you something: try measure number 3. RH: very easy; LH: dummy; HT: easy if you have the background, impossible if you don't. Remember that it's not about playing 22 notes of equal lenght, but to put these notes EXACTLY over the time of one regular measure, using all agogics that you want to. So, in general I guess that the piece should be under grade 8, but to most grade 8 students it's absolutely impossible.
 Best wishes!
Title: Re: chopin nocturne Bb minor
Post by: bernhard on July 30, 2006, 12:23:35 AM
Thanks, Thal and Desordre from saving me writing another big post. :D

Also, remember that grading is always subjective. One may well disagree with the ABRSM and decide that the piece is more difficult or easier than they claim. Always take the grades posted as suggestions only.

Best wishes,
Bernhard.
Title: Re: chopin nocturne Bb minor
Post by: quantum on July 30, 2006, 02:38:33 AM
Grade 10 RCM.  When I learned it, it seemed much tricker than it sounded. 
Title: Re: chopin nocturne Bb minor
Post by: hiline on July 30, 2006, 03:03:18 PM
Thank you all for your responses. Do you know any other reason why this piece should be Grade 8 ?
Title: Re: chopin nocturne Bb minor
Post by: quantum on July 30, 2006, 06:19:20 PM
Control of phrasing in order not to make it mathematical - mostly referring to the tuplets. 

Tonal balance and colour in the middle section - the melody is in octaves and there is a lot of repitition.  One would need to play a good legato line in octaves, while also making sure to avoid making everything sound the same.  The repitions provide opportunities for changes of tone and colour, as well as alternate phrasings on the melodic line. 

Control of the LH is also  a big part here, including recognizing some of the contrapuntal elements in the arpeggiated LH, as well as the ebb and flow of the harmonic progressions from dissonances and consonances which need to be factored into ones phrase shaping. 
Title: Re: chopin nocturne Bb minor
Post by: hiline on July 31, 2006, 02:49:27 PM
Thank you quantum. And how did you get through all those difficulties? 
Title: Re: chopin nocturne Bb minor
Post by: quantum on July 31, 2006, 08:58:58 PM
I learned this piece quite a while ago, but when you study more repertoire and keep learning pieces, you apply new knowladge to old ones and discover things you didn't realize when you learned the piece.