Piano Forum
Piano Board => Audition Room => Topic started by: kakeithewolf on October 13, 2013, 09:13:17 PM
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Recently, I finished up a short concerto for piano, Le Totentanz De Cauchemar. The concerto is a three movement concerto based on a poem I wrote, "Le Grand Jeu Du Cauchemar". However, I'm on the fence about the final movement, and do not know whether or not I should omit it.
Any feedback is quite welcome.
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Also, I forgot originally to give a little more detail on this.
The first movement is based on the description of Cauchemar and his witness of the village below. It's a small prelude that is based in a 8th that is either on the two lowest D-sharps of the piano or the two immediately above those (or both), and a shift between D#, E, and D#. It starts with a few notes on bells, and then goes into a minute or so of solo piano before using the full (small) orchestra.
The second movement is a paraphrase on the Dies Iræ. The beginning stanza is repeated twice in the beginning, once with solo piano and once with all instruments, then there is a fugue in which the rest of the Dies Iræ is played on piano, in a bass, alto (two at the end), and soprano section, whilst the third stanza of the Dies Iræ is played on organ as a slow bass line. After, the fugue is repeated with all instruments, whilst the fourth stanza is played on organ as another bass line.
The final movement is a combination of the two, with the parts of the first stanza of the Dies Iræ paraphrase replacing the D#, E, D# shift in the first movement.
I did not describe this well, due to being distracted and tired.