Beethoven’s Sonata in f minor op. 57 was composed when Beethoven was coming to terms with the fact that he was going deaf, and the frustration that he felt can be heard throughout the piece. After Beethoven’s death, it was given the unofficial title Appassionata, as it is considered one of the most emotionally tempestuous of Beethoven's piano works.
The first movement begins with a slow, mysterious melody, played in unison. But soon the restrained atmosphere gives way to loud, intense outbursts that convey a sense of emotional intensity. Dark and ominous sounds dominate this movement, and a sense of restlessness remains even during the brighter moments.
Things quiet down in the second movement. It is based on a theme in D-flat major, which undergoes a couple of predominantly rhythmic transformations. This movement is much simpler than the first, and is more introspective where the first movement was fiery and intense.
The third movement returns to the emotional intensity of the first movement with a fast, rather chaotic exercise in perpetual motion, and ends with a tumultuous, almost violent coda. The sense of frustration and anger that Beethoven felt when composing this piece will be evident to every player and listener.
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I know Appasionata is more musically demanding, but is it more technically demanding? And if so, then why? You don't have to worry about exhausting yourself in Appasionata like you do in La Campanella do you?
Appassionata February 19, 2011, 10:26:00 PM by punkpianist360
I want to develop myself to play this sonata because I think, as do others, that it is a rewarding and beautiful piece. I learned Beethoven's Op. 2 No. 3 Sonata already, but want to learn a Schubert Sonata that would be beneficial to acquire the techniques that are demanded in the Appassionata. I am choosing a Schubert Sonata just to do something out of the ordinary for a change.
My number one piece I want to learn for the piano has been (for quite a while) Beethoven's Appassionata Sonata Op. 57 Mvt 3. I would most likely start it in June or July because of other pieces I am learning for competitions and recitals right now. I was wondering you all think I'm ready for such a monstrous piece based on my current repertoire. Just as a note, I never move on from a piece until I can play it to absolute perfection.
Significant pieces I have played: Beethoven Sonata No. 8 Op. 13 Mvt 1, Pathetique Beethoven Sonata No. 17 Op. 31 No. 2 Mvt 1, Tempest Beethoven Sonata No. 27 Op. 90 Mvt 1 Bach Italian Concerto Mvt 3 Liszt Hungarian Rhapsody No. 17 Mozart Sonata K. 284 Mvt 1 Mozart Sonata K. 310 Mvt 1
If you think I'm not ready yet, please recommend a piece of lower caliber but maybe of similar style. Thanks!
So I was going to submit the following to colleges as a supplement to my regular application, but after recording this, I realized I accidentally skipped a few measures of the piece at 3:20. Should I rerecord, or is this good enough (I'm not sure if the admissions offices or music departments review these things...?) Other feedback is of course appreciated!
I was supposed to learn this over the holidays though I've been a bit bad at focusing on just a few pieces. So now I'm in a bit of a bad place with term starting in a couple of weeks and I was supposed to have the pieces learned, nowhere near perfect just able to play through them comfortably. So my first question is how would people suggest I go about reaching this level over a short period of time? I am able to practise for a riduculously long time per day but don't see the point in just sitting there messing with them all of the time so any tips?
Secondly, my teacher was really vague with what she asked for: a Classical sonata= fine, a modern piece= fine then she said something "beautiful", which is really vague and I've been having trouble deciding and sticking to this third requirement.
So far, my program is this:
Beethoven: Sonata op 57 Ligeti: Automne a Varsovie
For the 'beautiful' piece, I chose Chopin Ballade 4, but I recently realised that although I would easily be able to pull it off by next May, I probably won't get that high mark for it as it's a really difficult piece to please anyone with. So I've been looking at the Szymanowsky Metopes instead.
So, which Metope do people think would be the best to put in there? Or would it be wiser to stick with the Ballade or at least play it to my teacher and see if she agrees with my views on it or thinks it will be alright?
With the Metopes, I'm thinking Nausicaa would be the best contrast but it is in my view the most difficult of the three. Isle of the Sirens definitely fits "beautiful", but it's pretty similar to Ondine which I played last year. Calypso is the same kind of mood as the Beethoven and the Ligeti so I don't think it would be THAT much of a contrast.
Hello. I downloaded Sonata Appasionata Sheet but recordings on Youtube or when I play 1st Movement looks totally different. 1st and 2nd Page are the same Sheet like recordings on Youtube, but 3.rd Page is totally different and after. In recordings it has about 3 Tremolos and in Sheet does not have. ( 3rd Page)
My 3rd Page look like in this Sheet. Does 2 Versions of Sonata Appasionata exists, because I am totally confused, why Recordings on Youtube are different of these Sheet.
I was going to play the 3rd movement of the Les Adieux sonata but now I heard the first movement of this sonata and I love it. How difficult is this sonata? I haven't played beethoven for while, and the last sonata I've played by him was the moonlight 3rd movement, but that was over a year ago. I've played Chopin etudes op 10 no 12 and op 10 no 1 and his 2nd scherzo.
Can anyone inform me about the difficulty of this piece? I'm okay with challenges.
I just heard Beethoven's Appassionata sonata a few days ago for the first time and I love it I like it better than the pathetique and moonlight sonatas.
I especially like the third movement and I want to learn it, but apparently it's past grade 8 and diploma standard so I think it might be too much of a challenge for me. I'm on grade 8 now and I'm learning the 3rd movement of the pathetique sonata and the most difficult thing I can play is the fantasie impromptu.
So I'm just wondering what do you think, is it too challening? And if anyone can play it how difficult was it to learn?
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