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Live Streamed Piano Recitals at The Academy of Arts in Stockholm

A new piano recital series has been launched in Stockholm this fall. The first recital, with pianist Peter Jablonski took place on September 15 and today, October 20 at 17.00 GMT it’s time for pianist Murray McLachlan to enter the stage.

The series is run by the organisation Piano Visions. One of the sponsors and collaborators is Piano Street, which will support the series in many interesting and exciting ways, for example by arranging an online piano composition competition from which the winning pieces will be performed in the series.

Piano Street is, in collaboration with Art of Sound in Stockholm, developing and supplying the artistic and technical platform for live streaming the recitals on the Internet. The first four recitals we be test streamed in order to work out the concept and to receive feedback.
We welcome you to watch the test broadcast of today’s recital with British pianist Murray McLachlan.

Visit this link to view the broadcast or watch in the embedded player below:
EDIT October 21: The recital is over. Selected clips will be available soon)

Program:
Bach: Prelude and Fugue i C-sharp minor, book 1
Beethoven: Sonata in E major, op 109
Chopin: Berceuse
Chopin: Scherzo no 3
Intermission
John McLeod: Sonata no 5
Stenhammar: Impromptu in G-flat major
Liszt: Sonata in B-minor

Read more about the recital series:
http://www.pianovisions.se/in-english/

Please post your comments and feedback below!


While waiting for the recital to begin, watch a clip from the previous recital. Peter Jablonski performs Schubert’s Moment Musical no 2:


/nilsjohan

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Noriko Ogawa asks Beethoven to Leave her Alone

Noriko Ogawa seems to be comfortable in the same pea pod as Claude Debussy; she displays a similar maverick streak to the French composer. They both lament the “rules” in roughly the same way. Debussy didn’t like the composition rules of his teachers at the Paris Conservatory, while Ogawa keeps away from what she sees as the restrictive, emotional tradition of European Romanticism.      

In this video Nogawa makes her point by discussing the different aspects of Debussy’s Prelude No. 12, Book 2, Feux D’Artifice (Fireworks). As she explains the sonic meaning behind separate motives and sound clusters that simulate everything from a lit fuse to “La Marseillaise” sounding faintly in the distance, she does reinforce the lack of emotional spirit in Debussy’s music in his quest to depict his subjects as accurately as possible.

Deconstructed: Noriko Ogawa – Debussy’s Feux D’Artifice (Fireworks)’
Ogawa performs Debussy’s Feux D’Artifice

Sheet music to download and print:


/patrick

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A Major Mozart Discovery

Four pages from Mozart’s original manuscript for the Piano Sonata in A major, K 331 (whose last movement is the well-known “Turkish March”) has been found in Budapest. Hungarian music expert Balazs Mikusi was looking through hundreds of pages of handwritten copies of sheet music from Mozart’s time, when he suddenly recognized Mozart’s unique handwriting.

The major discovery starts in minor

In modern times, only the last page of the original manuscript of the work has been known. But now, we also have access to a large section consisting of variation 3 (in A minor) from the first movement until bar 10 in the second movement’s Trio section.

There are many interesting new details to consider in terms of slurs, dynamics and even some occasional notes that differs from the first published edition.

- It won’t change our view on Mozart, and it doesn’t change the character of the music, but we get a lot better sense of what Mozart wanted to achieve, said Mikusi.


Piano Sonata in A major, K 331 – piano sheet music


/nilsjohan

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Kissin Breathing Fresh Air

Striking a very special chord for many world class performers the Verbier festival just completed its 21st edition. A regular guest artist there, pianist Evgeny Kissin believes it’s crucial to combine rest with work because it helps the performer to regain lost focus. After remarking that it was too bad that “… there were only 25 (sic) hours in a day and only 365 days in a year …,” Kissin made the point that he preferred the solitude of working on solo repertoire to that of working in a group. It allowed him to apply the energy and focus he achieved during his rest more effectively. Now that he’s turned his energy towards Jewish musicians like Bloch and Krein, Kissin hopes that this hard work boosts their popularity and garners them the respect they deserve.


/nilsjohan

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Yuja Wang & Prokofiev in Factory Setting

Let’s go to New York City.
After letting her finish her coffee we can hear Yuja Wang, not at the usual Steinway showroom in Manhattan where most pianists pick pianos for their performances, but on the floor at the Steinway and Sons factory in Astoria, Queens. National Public Radio (NPR) chose the most natural setting for any pianist interested in top notch concert grands when recording Yuja Wang playing Prokofiev’s technically demanding Toccata in D Minor, Op. 11.

With all its hypnotic repetition of a single note and elaborate chromaticism Prokofiev’s biographer David Gutman argued that Prokofiev himself had trouble playing it because his technique, while good, was not quite enough to completely master the piece. However this fact is not universally accepted and his performance as reproduced in 1997 for the Nimbus Records series The Composer Plays is certainly virtuosic and technically skilled. What do you think?

Toccata (from Italian toccare, “to touch”) is a virtuoso piece of music typically for a keyboard featuring fast-moving, lightly fingered or virtuosic passages and sections generally emphasizing the dexterity of the performer’s fingers. Composers such as J. S. Bach, Robert Schumann, Maurice Ravel, Dmitri Kabalevsky and Aram Khachaturian have all composed well-known works in this form.


/patrick

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