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Famous Composers Alive and Just a Click Away
Schostakovich playing his first piano concerto

Schostakovich playing his first piano concerto

That a recording exists of the voice of Tchaikovsky tantalizes the imagination. If there is a Tchaikovsky recording on an Edison cylinder, might there not also be, hidden away in a dusty shoebox in an attic somewhere, another cylinder with Liszt at the piano? It’s not outside the realm of possibility. After all Liszt lived for almost nine years after Edison invented the phonograph. In the absence of that mythical cylinder, however, we can still enjoy some rare footage, both audio and video, of famous 20th-century composers, both on stage and at home. Rachmaninoff charms the audience in one film with his gruff good humor, while Toscanini and Walter commiserate in another.

Hear Sergey Prokofiev play one of the waltzes in his ballet Cinderella and speak about what he was working on at the time of the interview (1946) :

Translation from YT:
Prokofiev is being asked: “Sergei Sergeevich, maybe you will tell our viewers about your work?” He replies: “Well, right now I am working on a symphonic suite of waltzes, which will include three waltzes from Cinderella, two waltzes from War and Peace and one waltz from the movie score Lermontov. The War and Peace has just been brilliantly produced in Leningrad, where the composer Cheshko made an especially noteworthy appearance as a tenor, giving a superb performance in the role of Pierre Bezukhov. Besides this suite, I am working on a sonata for violin and piano [No. 1 in F minor], upon completion of which I will resume work on the Sixth Symphony, which I had started last year. I have just completed thre suites from the Cinderella ballet and I am now turning the score over to copyists for writing the parts, so that most likely the suites will already be performed at the beginning of the fall season.”

Even in silent film excerpts, the power and raw personal magnetism of such personalities as Camille Saint-Saëns and Gabriel Faure are plainly evident. Certain performances of famous works by their composers shatter the myth of “standard performances,” such as Widor’s playing of his famous Toccata at a much slower tempo than expected. These 14 film excerpts listed on cmuse.org are amazing to watch and will give viewers another perspective on 20th-century composers and their music.


/nilsjohan
 
     

Classical Music Everywhere – Interview with Simone Dinnerstein

Simone Dinnerstein is trying to boost awareness and appreciation of classical music in both children and adults in places as different as New York City and Havana, Cuba. On her recent trip to Cuba, she noted how the string players in Cuba’s National Youth Orchestra couldn’t afford strings. Despite the handicap of using telephone wires as a substitute, the young people were playing with great sensitivity and musicianship. She was inspired during her performance of a Mozart concerto with that orchestra, and she seeks to bring that inspiration back to the United States.
Hear NPR’s David Greene speak to Dinnerstein about her trip, her methods for teaching kids about Baroque music, and her past four difficult years:


Even as her excitement and forward thinking support her teaching efforts back at home, personal struggles also affect her and her art. Speaking candidly about multiple miscarriages and other difficulties with having another child, Dinnerstein relates how such tragedies are woven into her musical psyche.

In much the same way as a method actor or actress delves into, and even lives vicariously through, a part, Dinnerstein draws on her experiences to communicate more effectively with the audience. Her close friend, Philip Lasser, composed a piano concerto for her. Coincidentally, the period of time he spent writing it exactly matched the period Dinnerstein endured her fertility challenges. It’s called “The Circle and the Child,” and although it’s not directly related to Dinnerstein’s problems, it signifies the cycle of life and how it affects people in various ways.

Bachpacking to School

Dinnerstein introduces Bach’s Inventions to a room full of schoolchildren:

New album celebrating the transatlantic link

Earlier this year Sony Classical released Dinnerstein’s newest album, Broadway-Lafayette. The music on this album celebrates the time-honored transatlantic link between France and America through the music of George Gershwin, Maurice Ravel, and Philip Lasser

Hear samples from Simone Dinnerstein’s new album “Broadway Lafayette” at amazon.com


/patrick
 
     

The Harpsichord – Old, but Still Relevant

Sir Thomas Beecham once described the harpsichord as sounding like “…two skeletons copulating on a corrugated tin roof”. To harpsichordist Mahan Esfahani, the famed British conductor who compared Beethoven’s music to frolicking yaks, couldn’t have been more wrong.

“If you buy only one record of harpsichord music in your life . . . buy this sensational album” wrote Richard Morrison, The Times (London). Although most of us don’t buy records anymore, this recently released album “Time Present and Time Past” including music by Johann Sebastian Bach, Carl Philipp Emanuel Bach, Francesco Geminiani, Henryk Górecki, Steve Reich and Alessandro Scarlatti could be worth checking out. Hear samples at deutschegrammophon.com

Esfahani sat down to talk with NPR about the new album. His sparring partner was All Things Considered host Robert Siegel:


/nilsjohan
 
     

Aimard’s Bach in Lights

Pierre-Laurent Aimard again conquers the iconic keyboard repertoire by Johann Sebastian Bach after his hugely successful The Art of Fugue recording 2008. A recently released double CD includes the entire The Well-Tempered Clavier Book 1.

As part of a multimedia project that had never before been attempted, visual artist Alan Warburton created a virtual animation that highlighted not only Bach’s genius but also Warburton’s own creativity. He joined with French pianist Pierre-Laurent Aimard and a veritable army of computer and music experts to create a stunning visual portrait of one of Bach’s most iconic works. It took more than 10 weeks to bring the project to fruition because every frame of the video had to be perfectly synchronized with Aimard’s playing and also make visual sense. There could be no weird reflections of light that wouldn’t occur in nature, for example, and anything less than visual perfection wouldn’t do justice to the music.

Piano sheet music to download and print:

Hear samples from all tracks on the album and read more:
http://www.deutschegrammophon.com/en/cat/4792784

How do you like Aimard’s intrepretation of the Bach Preludes and Fugues? Please post a comment below!


/nilsjohan
 
     

Take Your Seat: A portrait of Menahem Pressler’s life and thoughts

Free tickets for Piano Street’s members

Thanks to a collaboration with the Berliner Philharmoniker Digital Concert Hall, all Piano Street members can enjoy free access for 48 hours to the Digital Concert Hall. Log in to your Piano Street account to get your free voucher code which gives you instant access to the Digital Concert Hall. Take the opportunity to see the film about pianist Menahem Pressler until June 15 and to access all concerts in the archive!

No Piano Street account?
Sign up for free here to get your concert ticket!


Everyone Should Hear Him Once! The World Celebrates Menahem Pressler

A phenomenal musician and iconic tutor, German born American-Israeli pianist Menahem Pressler was the heart of the magnificent Beaux Arts Trio since their start in 1955. In 2008 the trio separated but Pressler decided to embark on a solo career. At 85, a unique decision praised by the musical world. Pressler has since then been heard with the major orchestras around the globe. A chamber musician beyond comparison, with clear eyes and a prodigious mind, Pressler is a window to the past. Still, continuously curious and with a tablet PC under his arm, he embraces the 21st century while sharing his endless love for music.

In 2014, the 90-year-old maestro gave his long overdue debut with the Berliner Philharmoniker and film maker Grete Liffers decided to enrich the world with a portrait of the artist’s life and thoughts. Here the audience can gain deep insights into the life of Menahem Pressler including new recorded talks, excerpts from one of his Master Classes and interviews with artists like Daniel Harding, Leonidas Kavakos and Daniel Hope.

See the film with your Digital Concert Hall 48 hour ticket:
www.digitalconcerthall.com/en/film/231


The new DVD Release

The film THE LIFE I LOVE is a bonus coupled with the Berliner Philhrmoniker’s New Year’s Eve Concert 2014 and is now available on DVD. It opens with Sir Simon Rattle conducting music by Rameau and then Menahem Pressler chose W.A. Mozart’s Piano Concerto in A major, K. 488. Following the intermission, the musicians ring in the New Year in a lively way with Slavic strains: an orchestral suite from Zoltán Kodály’s charming folk opera Háry János as well as a selection from the popular Slavonic Dances by Antonín Dvorák.

Watch trailer:

Repertoire:

JEAN-PHILIPPE RAMEAU Suite from Les Indes galantes
W. A. MOZART Piano Concerto in A major K. 488
FRÉDÉRIC CHOPIN Nocturne in C-sharp minor Op. 27 No.1
ARAM KHATCHATURIAN Gayaneh Suite No. 1 Lezginka
ANTONÍN DVORÁK Slavonic Dances in E minor Op. 46 No.2 & in C major Op.72 No.7
ZOLTÁN KODÁLY Háry János Suite ·
JOHANNES BRAHMS Hungarian Dance No. 1 in G minor

BONUS:
The Life I Love – The Pianist Menahem Pressler

Buy the DVD with the 2014 New Year’s Concert and the film THE LIFE I LOVE


/nilsjohan
 
     



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