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Bartók - Piano Music
Béla Bartók (1881-1945) was born in the small provincial town of Nagyszentmiklós, then Hungary (now Sânnicolau Mare in Romania). He received his first piano lessons from his mother, and showed great talent already at four years of age. He later studied piano and composition at the Budapest Royal Academy of Music. In 1902 he met Richard Strauss at the Budapest premiere of Also sprach Zarathustra, and about one year later Bartók´s own grandiose and nationalistic tone poem Kossuth was premiered. By this time, Bartók was also a renowned piano virtuoso, travelling abroad performing music of Liszt and other romantic composers. But when he became professor of piano at the Budapest Royal Academy, he more or less abandoned this career and spent more time composing and collecting folk songs from different parts of the world. Together with fellow composer Zoltan Kodály, he had systematically been collecting and recording Hungarian folk music, and now he went on to visit Turkey and parts of North Africa. In spite of Bartók’s preoccupation with Hungarian folk music, his work was at not at all appreciated by his own people. In the rest of Europe, however, his fame was rising quickly. Apart from the influence of folk music and the romantic heritage from Liszt and Brahms,Bartók also adapted for his own purposes the methods of his contemporaries Strauss, Debussy and Stravinsky. All these elements combine to make his output extremely varied, vital and forceful, melodically and rhythmically. More than a quarter of Bartók’s output was for the piano. His educational work Mikrokosmos progresses from the very simple to the highly demanding, and explores almost all aspects of the piano’s potential.
The events of World War II forced Bartók to flee Hungary and emigrate to the USA. The fact that he was relatively unknown in this country, together with his failing health and a difficult financial situation, made Bartok´s last years unhappy. In 1945 he died of leukemia and was buried in New York. After the fall of Hungarian communism in 1988, his remains were transferred to Budapest to be given a full state funeral.
Notable works:
Opera - Bluebeard´s Castle
Ballet - The Wooden Prince
Pantomime - The Miraculous Mandarin
Orchestral - Concerto for Orchestra, two violin concertos
Chamber - six String Quartets, Contrasts for piano, violin and clarinet
Piano - Three piano concertos, Sonata, Out of doors suite, Sonata for two pianos and percussion. Educational: For Children, Mikrokosmos, Ten easy pieces
Piano Sheet music by Béla Bartók to Download
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Total pieces by Bartók: 11
| Title | Key | Published | Type | Level |
|---|---|---|---|---|
| Allegro Barbaro | n/a | 1911 | Piece | 8+ |
| Suite - op 14 | n/a | 1918 | Suite | 8 |
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Romanian Folk Dances 1915 was a Romanian year for Bartók, with piano settings of Romanian Christmas Songs, the Sonatina for piano later transcribed for orchestra as Transylvanian Dances, and the Román nepi táncok (Romanian Folk Dances). These six miniatures are fairly straightforward renderings of folk tunes collected by Bartók himself. Romanians were treated as second-class citizens in the Austro-Hungarian Empire, but the richness of their folk traditions was held in high regard by in Bartók. | ||||
| Stick Game no 1 | A Minor | 1915 | Piece | 5 |
| Peasant Costume no 2 | D Minor | 1915 | Piece | 2 |
| Standing Still no 3 | B Minor | 1915 | Piece | 5 |
| Song of the Mountain Horn no 4 | A Minor | 1915 | Piece | 4 |
| A Garden Gate in Romania no 5 | D Major | 1915 | Piece | 5 |
| Little One no 6 | D Major | 1915 | Piece | 6 |
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Etudes In a letter written nearly two decades after the composition of these studies, Bartók admitted to a friend that "I cannot play the three Etudes. I haven´t played them – ever or anywhere – since 1918." They are contemporary with the pantomime The Miracoulous Mandarin, Op 19. With these two works Bartók entered his most radical, Expressionist phase (1918–22), influenced by Schoenberg. An important technical feature of all three studies is the alternating expansion and contraction of the hands. | ||||
| Etude - op 18 no 1 | n/a | 1920 | Study | 8+ |
| Etude - op 18 no 2 | n/a | 1920 | Study | 8+ |
| Etude - op 18 no 3 | n/a | 1920 | Study | 8+ |
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