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Topic: best way to practice?  (Read 10182 times)

Offline pianojam

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best way to practice?
on: April 06, 2006, 03:12:03 PM
what is best way to practice the piano? should you just concentrate on 1 song untill you finish it or practice lots of different songs? I normaly practise about 3 songs at a time because i get bored playing the same thing over an over, but I wonder if it is easier or you learn faster if you do 1 at a time.

what do you think

Offline plunkyplink

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Re: best way to practice?
Reply #1 on: April 06, 2006, 05:42:29 PM
I was wondering about that myself, I asked my teacher and she said it's a matter of personal preference. A few weeks ago I think I bit off more than I could chew, and then switched to practising only one song/week. I think I prefer to practise this way, but, I do get bored, then I try and learn an easy peice at the same time. I practise about 2.5 hours per day, and about 40 minutes of that is jazz piano practise. I guess it depends on how much you practise every day. If you're doing an hour a day, I don't think you have enough time to do more than one song at a time with scales and such.

Offline bernhard

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Re: best way to practice?
Reply #2 on: April 08, 2006, 01:32:17 PM

Have a look here  :P:

https://www.pianoforum.net/smf/index.php/topic,8981.msg91081.html#msg91081
(repertory x purely technical exercises to acquire technique)

https://www.pianoforum.net/smf/index.php/topic,8417.msg85259.html#msg85259
(when is a piece finished – why technique and interpretation cannot be divorced)

https://pianoforum.net/smf/index.php/topic,4004.msg47440.html#msg47440
(3 correct X wrong attitudes when practising)

https://pianoforum.net/smf/index.php/topic,3677.msg32879.html#msg32879
(What is the best practice diet?  The key to practice is familiarisation with the piece.  Schumann’s Remembrance)

https://pianoforum.net/smf/index.php/topic,3039.msg26525.html#msg26525
(how big are your hands, and does it matter?  7 x 20 minutes – exercise/activities to strengthen the playing apparatus – ways to deal with wide chords – the myth that Richter was self-taught – 3 stages of learning – Example: Chopin militaire Polonaise - scientific principles for testing practice methods – Example: Prelude in F#m from WTC1 – when to join hands and why HS – practice is improvement – the principle of “easy” – Example: Chopin’s ballade no. 4 – repeated groups)

https://pianoforum.net/smf/index.php/topic,3561.msg31700.html#msg31700
(Questions about Bernhard’s method – Bernhard’s answers – mostly about the 7 X 20 principle, how do you know when you mastered a section, when to use the methods, and when they are not necessary – investigating the reasons for difficult)

https://pianoforum.net/smf/index.php/topic,4689.msg44184.html#msg44184
(Bernhard answers questions and elucidates further about: 20 minutes – practice starts when you get it right – definition of mastery : learned – mastered – omniscience – Aim for easy – final speed in practice must be faster than performance speed – Example: Chopin Op. 10 no. 2 – outline – repeated note groups – HS x HT)

https://pianoforum.net/smf/index.php/topic,4710.msg44538.html#msg44538
(Bernhard explains once more about 7 x 20 minutes – Progress is the ultimate decider – How to break a piece in practice sessions – Example: Satie gymnopedie – importance of planning – aim at 100 pieces per year – Example: Bach Cm WTC 2 -)

https://pianoforum.net/smf/index.php/topic,4750.msg45125.html#msg45125
(more details: learned – mastered –omniscience – why repertory must be paramount – how to work on 20 pieces per month – a case for easy repertory – importance of discipline and of having a plan – analogy of mastering a piece and making wine – musicality is ultimately good taste – Example: Beethoven op. 49 no. 2- A list of progressive repertory to lead to Rach prelude op. 32 no. 5 – mastery is when it is easy)

https://pianoforum.net/smf/index.php/topic,4797.msg45744.html#msg45744
(No skipped steps – Bernhard enlightens further and tells the usual places where students go wrong – Ht x HS)

https://pianoforum.net/smf/index.php/topic,4858.msg46087.html#msg46087
(Paul’s report on B’s method. Feedback from Bernhard including: HS x HT – Example: Lecuona’s malaguena – 7x20 – need to adjust and adapt – repeated note-groups – importance of HS – hand memory – 7 items only in consciousness – playing in automatic pilot - )

https://pianoforum.net/smf/index.php/topic,4901.msg47078.html#msg47078
(collection of links on everything)

https://pianoforum.net/smf/index.php/topic,5177.msg49229.html#msg49229
(more on 7x20 – what it means to master a passage)

https://pianoforum.net/smf/index.php/topic,5298.msg50376.html#msg50376
(alternative to the chord trick – Rhythm variations  - repeated note-groups – starting with the difficult bars – how to break down a piece in sessions – ways to tackle speed that do not involve the chord trick)

https://pianoforum.net/smf/index.php/topic,5767.msg56133.html#msg56133
(huge collection of links)

https://pianoforum.net/smf/index.php/topic,1034.msg47320.html#msg47320
(summary of links)

https://pianoforum.net/smf/index.php/topic,5453.msg53807.html#msg53807
(3 most important practice tricks)

https://pianoforum.net/smf/index.php/topic,5555.msg53811.html#msg53811
(how long do you practice? It depends on what is meant by practice)

Tip of the melting iceberg.

Best wishes,
Bernhard.
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. (Hunter Thompson)
 

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