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Piano Street Magazine:
Wagner’s Universe in a Pianist’s Hands

One of the most thrilling performances offered at Cremona Musica this year was the Wagner by Liszt recital given by Filippo Tenisci – Italian pianist, born 1998 and celebrated for his refined interpretations and expressive mastery of the Romantic repertoire. After his recital we got the chance talking to Tenici about his Wagner/Liszt project. Read more

Topic: arensky's penance...  (Read 3499 times)

Offline arensky

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arensky's penance...
on: July 21, 2006, 12:07:11 AM
I have sinned. As commanded by Padre Allesandro I have played my Musette BWV 126 to obtain forgiveness... may it please him.


 ;D
=  o        o  =
   \     '      /   

"One never knows about another one, do one?" Fats Waller

Offline arbisley

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Re: arensky's penance...
Reply #1 on: July 21, 2006, 10:20:26 AM
A pretty nice attempt at making a rather simple and boring piece sound interesting!
Well, I didn't really get the "sin" in the bit about the Pope, just sounded a bit blasphemous maybe, but anyway, time to stop fighting children!

Offline alessandro

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Re: arensky's penance...
Reply #2 on: July 21, 2006, 10:29:53 AM
I have sinned. As commanded by Padre Allesandro I have played my Musette BWV 126 to obtain forgiveness... may it please him.


 ;D

Dear Don Arensky,

The music you play is truly divine, the fruit of a fine musician.  There's a vacancy for a private sinner in the local convent, but since God commanded us to make use of our talents, to not spoil them but to develop them, it would be a forbidden waste of time.
May the peace be with you and with your lovers,
Ave and Hallelujah,

Offline quantum

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Re: arensky's penance...
Reply #3 on: July 23, 2006, 07:42:19 AM
 ;D
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
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Piano Street Magazine:
Toward the Flame: Boris Petrushansky’s Journey Through Scriabin’s Universe

Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more
 

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